"Gloria Laudamus" by Tsvetan Mihailov, Teodor Moussev, Bogdana Popova, Stela Dimitrova, Tiha Geniva, Choeur mixte de la radio-télévision bulgare, Orlin Pavlov, Stefka Mineva had its release date on December 7, 2010. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Gloria Laudamus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tsvetan Mihailov's "Gioacchino Rossini : Petite messe solennelle" album is number 2 out of 14. On top of that, France appears to be the country where this track was created. In terms of popularity, Gloria Laudamus is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gloria Laudamus by Tsvetan Mihailov, Teodor Moussev, Bogdana Popova, Stela Dimitrova, Tiha Geniva, Choeur mixte de la radio-télévision bulgare, Orlin Pavlov, Stefka Mineva to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
War Requiem, Op. 66: ix. Dies Irae - Recordare Iesu pie | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | G Major | 0 | 9B | 130 BPM | ||
Elgar: Sea Pictures, Op. 37: No. 3, A Sabbath Morning at Sea | Edward Elgar, Janet Baker, London Symphony Orchestra, Sir John Barbirolli | C Major | 1 | 8B | 86 BPM | ||
Ein deutsches Requiem, Op.45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit" | Johannes Brahms, Barbara Hendricks, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 0 | 9B | 92 BPM | ||
Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" | Carl Orff, Bavarian Radio Symphony Orchestra, Daniel Harding, Bavarian Radio Chorus, Robert Blank | F Major | 4 | 7B | 149 BPM | ||
Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM | ||
Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM | ||
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
4 Letzte Lieder (4 Last Songs), TrV 296: No. 4. Im Abendrot | Richard Strauss, Soile Isokoski, Berlin Rundfunkorchester, Marek Janowski | E♭ Major | 0 | 5B | 89 BPM | ||
Il Trovatore / Act 2: "Ah, se l'error t'ingombra...Perchè piangete?" | Giuseppe Verdi, The London Opera Chorus, Ingvar Wixell, Nicolai Ghiaurov, Dame Joan Sutherland, Norma Burrowes, National Philharmonic Orchestra, Richard Bonynge | E♭ Major | 0 | 5B | 182 BPM | ||
Rusalka, Op. 114 / Act 2: Kvetiny bile po ceste | Antonín Dvořák, Franz Hawlata, Kühn Mixed Choir, Czech Philharmonic Orchestra, Sir Charles Mackerras | G Major | 1 | 9B | 92 BPM |