Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Caroline Meng, Ana Quintans, Victoire Bunel, Anthea Pichanick, Olivier Fichet, Marielou Jacquard's ' "Coronis, Jornada segunda: No. 10, No temáis, no lloréis" was released on its scheduled release date, February 11, 2022. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Coronis, Jornada segunda: No. 10, No temáis, no lloréis's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "Sebastián Durón: Coronis". In this album, this song's track order is #10. Furthermore, we believe that the track originated from France. In terms of popularity, Coronis, Jornada segunda: No. 10, No temáis, no lloréis is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Coronis, Jornada segunda: No. 10, No temáis, no lloréis by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Caroline Meng, Ana Quintans, Victoire Bunel, Anthea Pichanick, Olivier Fichet, Marielou Jacquard having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Coronis, Jornada segunda: No. 22, Es, espumas, a lidar | Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Caroline Meng, Marielou Jacquard | E Major | 6 | 12B | 119 BPM | ||
Sonata for Recorder and Continuo in D Minor: II. Largo | James Paisible, Tamar Lalo, La Ritirata, Josetxu Obregon | G Minor | 0 | 6A | 78 BPM | ||
Médée, H. 491, Act II: Passacaille | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet | C Minor | 1 | 5A | 86 BPM | ||
Coronis, Jornada segunda: No. 24, Ya, inmortales dioses | Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Ana Quintans | A♭ Minor | 2 | 1A | 62 BPM | ||
Suite in C Minor: II. Andamento | Nicola Matteis, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Hamburg Symphony No. 4 in A Major, Wq. 182: I. Allegro ma non troppo | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Jhon Come Kisse Me Now (Arr. Pierini for Soprano and String Quartet) | William Byrd, Claudia Barainsky, Delian Quartett | C Minor | 0 | 5A | 72 BPM | ||
Vergine Bella | Marco Da Gagliano, Musica Sequenza, BURAK | A Major | 0 | 11B | 84 BPM | ||
Missa Paschalis, ZWV 7: Credo. Crucifixus | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Minor | 2 | 1A | 119 BPM |