Lalo Tejada, Juan María Real, Manuel Salado made "Bulerías (Avanzado) : Juegos de Pies de la 1ª Falseta" available on 2005. The duration of Bulerías (Avanzado) : Juegos de Pies de la 1ª Falseta is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Bulerías (Avanzado) : Juegos de Pies de la 1ª Falseta's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 21 in El Baile Flamenco, Vol. 12: Bulerías - Soleá por Bulerías by Lalo Tejada. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Bulerías (Avanzado) : Juegos de Pies de la 1ª Falseta is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Bulerías (Avanzado) : Juegos de Pies de la 1ª Falseta by Lalo Tejada, Juan María Real, Manuel Salado is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nawal | Toby Hack | A♭ Minor | 7 | 1A | 171 BPM | ||
Secrets | José Méndez | F Minor | 3 | 4A | 80 BPM | ||
A Mi Padre Tony Rey | Antonio Rey | A Minor | 4 | 8A | 100 BPM | ||
Toma Que Toma | Diego Amador | F Minor | 6 | 4A | 138 BPM | ||
Puñal Encrucijada - Bulería | Miguel Poveda, Jesús Guerrero | F Minor | 7 | 4A | 121 BPM | ||
Macho Seguirilla: Cante, Baile y Guitarra | El Trini, Victor M. Rosa, Rafael García, Pedro Campos, Mariló García, Lurdes García | D♭ Minor | 4 | 12A | 81 BPM | ||
Bulerías (Avanzado) : Coletilla Final | Lalo Tejada, Ana Real, Juan María Real, Manuel Salado | E Minor | 5 | 9A | 140 BPM | ||
Arroyuelo | Antonio de la Malena | F Minor | 4 | 4A | 139 BPM | ||
Calle Encaramá | Paco Cepero, Diego Amaya, Pedro Sierra | F Major | 6 | 7B | 148 BPM | ||
Colombianas | Curro Malena, Moraíto | A Major | 5 | 11B | 94 BPM |
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