Anon., The Dufay Collective's 'La douçours' came out on April 1, 1997. With La douçours being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "On the Banks of the Seine". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, La douçours's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La douçours by Anon., The Dufay Collective having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dansereye (1551): Passe e medio/ Reprise 'Le Pingue' | Tylman Susato, New London Consort, Philip Pickett | D Minor | 1 | 7A | 170 BPM | ||
De Muitas Guisas | Rey Alfonso el Sabio, La Camerata de Paris | A Minor | 0 | 8A | 49 BPM | ||
Ya cantan los gallos | Vilches, The Dufay Collective | C Major | 0 | 8B | 86 BPM | ||
Pell Mell | John Playford, The Dufay Collective | C Major | 3 | 8B | 97 BPM | ||
Haulberroys (Attaignant) | Edward Martin | G Minor | 1 | 6A | 82 BPM | ||
Shepheards Holyday or Labour in Vaine | The Broadside Band | B♭ Major | 1 | 6B | 94 BPM | ||
Sellenger's round | anon arr Alan Crumpler, Trinity Baroque, The Forbury Consort, The Holbein Consort, Alan Crumpler, Martin Pope, Steven Player, Julian Podger | A Minor | 0 | 8A | 129 BPM | ||
Tastar da Corde | Eduardo Paniagua | G Minor | 1 | 6A | 137 BPM | ||
Hymn to Nemesis | Petros Tabouris Ensemble | D Major | 1 | 10B | 100 BPM | ||
Folias Gallegas (arr. G. Herreid) | Santiago De Murcia, Grant Herreid, Piffaro | A♭ Major | 0 | 4B | 132 BPM |
Section: 0.5977303981781006
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