Wolfgang Amadeus Mozart, Joanna Borowska, Priti Coles, John Dickie, Andrea Martin, Peter Mikulas, Rohangiz Yachmi, Slovak Philharmonic Chorus, Capella Istropolitana, Johannes Wildner's 'Così fan tutte, K. 588: Act I Scene 2: Aria - Smanie implacabili (Dorabella)' came out on November 2, 1990. With Così fan tutte, K. 588: Act I Scene 2: Aria - Smanie implacabili (Dorabella) being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Johannes Wildner's "Mozart: Cosi Fan Tutte" album is number 22 out of 71. On top of that, Hong Kong appears to be the country where this track was created. Così fan tutte, K. 588: Act I Scene 2: Aria - Smanie implacabili (Dorabella) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Così fan tutte, K. 588: Act I Scene 2: Aria - Smanie implacabili (Dorabella) by Wolfgang Amadeus Mozart, Joanna Borowska, Priti Coles, John Dickie, Andrea Martin, Peter Mikulas, Rohangiz Yachmi, Slovak Philharmonic Chorus, Capella Istropolitana, Johannes Wildner to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
30 Études de mécanisme, Op. 849: No. 1 in C Major. Allegro | Carl Czerny, Nicolas Horvath | C Major | 1 | 8B | 84 BPM | ||
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: III. Allegro assai | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Major | 3 | 5B | 99 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Le Nozze di Figaro (The Marriage of Figaro), K. 492: Overture | Donato Di Stefano, Natale de Carolis, Hungarian State Opera Orchestra, Patrizia Pace, Jozsef Mukk, Maria Pia Ionata, Roberto Frontali, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | D Major | 1 | 10B | 141 BPM | ||
Piano Sonata No. 15 in F Major, K. 533: III. Rondo: Allegretto, K. 494 | Wolfgang Amadeus Mozart, William Youn | F Major | 1 | 7B | 137 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM |
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