"Pestilence Songs: IV. Strength stoops unto the grave" by Poul Ruders, Kiki Brandt, Jesper Sivebæk, Hanne Bramsen Buhl was released on September 30, 2008. With Pestilence Songs: IV. Strength stoops unto the grave being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Ruders, P.: Guitar Works - Psalmodies Suite / Chaconne / Jargon". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Denmark. Based on our statistics, Pestilence Songs: IV. Strength stoops unto the grave's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Pestilence Songs: IV. Strength stoops unto the grave by Poul Ruders, Kiki Brandt, Jesper Sivebæk, Hanne Bramsen Buhl having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Darkness | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo. Vivacissimo | Sergei Prokofiev, Sarah Chang, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 2 | 8A | 137 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Berceuse, Op. 72, No. 2 | Pyotr Ilyich Tchaikovsky, Clara Rockmore | A♭ Minor | 0 | 1A | 69 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: III. Second Decoy Game | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM | ||
Variations on a Theme by Haydn: Variation VIII: Andante cantabile | Hans Erich Apostel, The Orchestra Now, Leon Botstein | B♭ Minor | 1 | 3A | 80 BPM | ||
Ayşe Gülsen Ağ | Gökçe Ağ | D Major | 1 | 10B | 123 BPM | ||
Petrushka, K12 (1947 Version): IVh. Death of Petrushka | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Variasjoner over Med Jesus vil eg fara: IV. Var 3 | Knut Nystedt, Anders Eidsten Dahl | E♭ Major | 0 | 5B | 69 BPM | ||
Massenet: Don Quichotte, Act 4: "Lorsque le temps d'amour a fui" (Dulcinée) | Jules Massenet, Michel Plasson, Teresa Berganza, Orchestre Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM |
Section: 0.7487475872039795
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