Louis Jordan made "Keep a Knockin' but You Can't Come in (Alternate Take)" available on June 9, 1939. The duration of Keep a Knockin' but You Can't Come in (Alternate Take) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Keep a Knockin' but You Can't Come in (Alternate Take)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 116 in the song's album "Presenting Louis Jordan". In this album, this song's track order is #115. Furthermore, we believe that the track originated from Germany. Based on our statistics, Keep a Knockin' but You Can't Come in (Alternate Take)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Keep a Knockin' but You Can't Come in (Alternate Take) by Louis Jordan having a BPM of 155 with a half-time of 78 BPM and a double-time of 310 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bluebirds in the Moonlight | Blue Barron & His Orchestra, Charlie Fisher | F Minor | 4 | 4A | 116 BPM | ||
Blues in the Night | Woody Herman & His Orchestra | C Major | 2 | 8B | 89 BPM | ||
Free Fall | Sheldon Allman | A Major | 5 | 11B | 124 BPM | ||
The Boogie Man (with Chick Bullock) | Todd Rollins & His Orchestra, Chick Bullock | E Major | 6 | 12B | 153 BPM | ||
Whistle While You Work | Larry Clinton, Bea Wain | C Major | 5 | 8B | 97 BPM | ||
I'm Looking over a Four-Leaf Clover | Art Mooney | G Major | 5 | 9B | 109 BPM | ||
Atomic Baby (01-04-50) | Amos Milburn | G Major | 1 | 9B | 106 BPM | ||
Boogie Man | Sid Phillips | B♭ Major | 3 | 6B | 124 BPM | ||
Don't Sweetheart Me | Lawrence Welk | G Major | 3 | 9B | 164 BPM | ||
True Confession | Larry Clinton | B♭ Minor | 1 | 3A | 89 BPM |
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