Matthäuspassion, BWV 244: Und ging hin ein wenig (Evangelist, Bass)
Johann Sebastian Bach, Hanno Müller-Brachmann, Raimund Nolte, Nico Van Der Meel, Kolner Kammerorchester, Helmut Muller-Bruhl
J.S. Bach: Matthäuspassion, BWV 244
0:44 November 1, 2005
BPM
103
Key
B Minor
Camelot
10A

Embed

Share Link

Matthäuspassion, BWV 244: Und ging hin ein wenig (Evangelist, Bass) - Johann Sebastian Bach, Hanno Müller-Brachmann, Raimund Nolte, Nico Van Der Meel, Kolner Kammerorchester, Helmut Muller-Bruhl Information

Acousticness
98%
Danceability
43%
Energy
18%
Instrumentalness
0%
Liveness
15%
Loudness
73%
Speechiness
6%
Valence
44%
Popularity
Loudness
-16.183 dB

Summary

Johann Sebastian Bach, Hanno Müller-Brachmann, Raimund Nolte, Nico Van Der Meel, Kolner Kammerorchester, Helmut Muller-Bruhl made "Matthäuspassion, BWV 244: Und ging hin ein wenig (Evangelist, Bass)" available on November 1, 2005. With Matthäuspassion, BWV 244: Und ging hin ein wenig (Evangelist, Bass) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Johann Sebastian Bach, Kolner Kammerorchester, Helmut Muller-Bruhl's "J.S. Bach: Matthäuspassion, BWV 244" album is number 21 out of 68. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Matthäuspassion, BWV 244: Und ging hin ein wenig (Evangelist, Bass) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Matthäuspassion, BWV 244: Und ging hin ein wenig (Evangelist, Bass) BPM

We consider the tempo marking of Matthäuspassion, BWV 244: Und ging hin ein wenig (Evangelist, Bass) by Johann Sebastian Bach, Hanno Müller-Brachmann, Raimund Nolte, Nico Van Der Meel, Kolner Kammerorchester, Helmut Muller-Bruhl to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Matthäuspassion, BWV 244: Und ging hin ein wenig (Evangelist, Bass) Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Matthäuspassion, BWV 244: Kommt, ihr Tochter, helft mir klagen (Chorus I and II) by Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-BruhlMatthäuspassion, BWV 244: Kommt, ihr Tochter, helft mir klagen (Chorus I and II)Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-BruhlE Minor19A87 BPM
Bagatelle No. 25 in A Minor, Bagatelle No. 25 in A Minor, "Für Elise", WoO 59Lang LangA Minor08A133 BPM
Chopin: Nocturne No. 8 in D-Flat Major, Op. 27 No. 2 by Frédéric Chopin, Gabriela MonteroChopin: Nocturne No. 8 in D-Flat Major, Op. 27 No. 2Frédéric Chopin, Gabriela MonteroD♭ Major03B107 BPM
Nocturne No.14 In F Sharp Minor, Op.48 No.2 by Frédéric Chopin, Maurizio PolliniNocturne No.14 In F Sharp Minor, Op.48 No.2Frédéric Chopin, Maurizio PolliniD♭ Major03B75 BPM
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto by Tomaso Albinoni, Paul Dombrecht, Il FondamentoConcerto a cinque No. 2, Op. 9: I. Allegro e no prestoTomaso Albinoni, Paul Dombrecht, Il FondamentoD♭ Minor312A169 BPM
ヴァイオリン協奏曲 ニ長調 Op. 77: II. Adagio by Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauserヴァイオリン協奏曲 ニ長調 Op. 77: II. AdagioJohannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen GunzenhauserC Major18B67 BPM
Orfeo ed Euridice, Act II Scene 2: Ballet Music, Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff)Wilhelm Kempff, Christoph Willibald Gluck, Idil BiretF Major07B81 BPM
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 by Carl Philipp Emanuel Bach, Ana-Marija MarkovinaSolfeggio No. 1 in C Minor, Wq. 117/2, H. 220Carl Philipp Emanuel Bach, Ana-Marija MarkovinaF Minor24A76 BPM
Keyboard Concerto in G Major, Wq. 44: II. Andantino by Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie LeipzigKeyboard Concerto in G Major, Wq. 44: II. AndantinoCarl Philipp Emanuel Bach, Michael Rische, Kammersymphonie LeipzigE Minor09A87 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 by Daniel BarenboimBach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847Daniel BarenboimC Minor15A132 BPM
ISRC
HKI190584421
Label
L-M Records/RCA Records

Section: 0.7176856994628906

End: 0.721095085144043