Friedrich von Flotow, Enrico Caruso, Walter B. Rogers's 'Marta: Act II: T'ho raggiunta, sciagurata! ... Dormi pur - "Goodnight" Quartet' came out on 1990. With this song being about 5 minutes long, at 4:30, "Marta: Act II: T'ho raggiunta, sciagurata! ... Dormi pur - "Goodnight" Quartet" by Friedrich von Flotow, Enrico Caruso, Walter B. Rogers is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Marta: Act II: T'ho raggiunta, sciagurata! ... Dormi pur - "Goodnight" Quartet is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Marta: Act II: T'ho raggiunta, sciagurata! ... Dormi pur - "Goodnight" Quartet by Friedrich von Flotow, Enrico Caruso, Walter B. Rogers is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Let Me Awaken Your Heart | Richard Tauber, James Hanley, John Ward, Fletcher Henderson, Franz Grothe, Eduardo di Capua, Henry Petrie, George Howard Clutsam, Friedrich von Flotow, Étienne Nicolas Méhul, Royal Philharmonic Orchestra, Franz Lehár | F Minor | 0 | 4A | 49 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D♭ Major | 1 | 3B | 82 BPM | ||
Underneath the Stars | Herbert Spencer, Charlie Siem, Paul Goodwin | E♭ Major | 1 | 5B | 100 BPM | ||
West Side Story: Somewhere | Leonard Bernstein, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | F Major | 2 | 7B | 174 BPM | ||
Rhapsody on a Theme by Paganini, Op. 43: Variation 18. Andante cantabile | Sergei Rachmaninoff, Bella Davidovich, Royal Concertgebouw Orchestra, Neeme Järvi | D♭ Major | 1 | 3B | 70 BPM | ||
Sposa son disprezzata | Antonio Vivaldi, Cecilia Bartoli, György Fischer | F Minor | 0 | 4A | 74 BPM | ||
Panis Angelicus: Panis Angelicus | César Franck, Cecilia Bartoli, Cinzia Maurizio, Luigi Piovano, Daniele Rossi | G Major | 1 | 9B | 171 BPM | ||
Notre Dame: Intermezzo | Franz Schmidt, Frankfurt Radio Symphony Orchestra, Paavo Järvi | D♭ Major | 2 | 3B | 112 BPM |
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