"Bach Variation (Arr. for Violin, Piano and Orchestra after Violin Concerto in A-Minor, BWV 1041: II. Andante by Florian Christl)" by Johann Sebastian Bach, Esther Abrami, Florian Christl, Vienna Radio Symphony Orchestra was released on March 25, 2022. The duration of Bach Variation (Arr. for Violin, Piano and Orchestra after Violin Concerto in A-Minor, BWV 1041: II. Andante by Florian Christl) is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Bach Variation (Arr. for Violin, Piano and Orchestra after Violin Concerto in A-Minor, BWV 1041: II. Andante by Florian Christl)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 17 in Esther Abrami by Esther Abrami. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Bach Variation (Arr. for Violin, Piano and Orchestra after Violin Concerto in A-Minor, BWV 1041: II. Andante by Florian Christl) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach Variation (Arr. for Violin, Piano and Orchestra after Violin Concerto in A-Minor, BWV 1041: II. Andante by Florian Christl) by Johann Sebastian Bach, Esther Abrami, Florian Christl, Vienna Radio Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The place where they go (Munich Session) | Carlos Cipa | D Major | 0 | 10B | 86 BPM | ||
Themes from "Chocolat" | Rachel Portman, Esther Abrami, Iyad Sughayer, Vienna Radio Symphony Orchestra | D♭ Major | 5 | 3B | 120 BPM | ||
Révérence: III | Philippe Paquet, Eva Lachhar, Marilou Lepage, Samuel Pronovost | C Minor | 3 | 5A | 187 BPM | ||
24 Preludes for Piano: Prelude No. 1 in B Major | Albert Guinovart | B Major | 1 | 1B | 73 BPM | ||
The Swan Piano Variation (From The Carnival of the Animals, R.125, Arr. for Piano by Svetoslav Karparov) | Camille Saint-Saëns, Gabriele Bagnati | G Major | 1 | 9B | 133 BPM | ||
Dinner - From "The Lady Caliph" | Metamorphose String Orchestra, Ivan Renanskiy, Pavel Lyubomudrov | D Major | 1 | 10B | 87 BPM | ||
Wildberry Lillet (Piano Version) | Louis Philippson | F♯ Minor | 1 | 11A | 79 BPM | ||
Strauss, R. / Arr. Lenaerts: 4 Lieder, Op. 27: No. 4, Morgen! | Richard Strauss, Anneleen Lenaerts | G Major | 0 | 9B | 136 BPM | ||
Premières valses: V. A l'ombre rêveuse de Chopin | Reynaldo Hahn, Eric Le Sage | G Major | 0 | 9B | 114 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: X. Lostesso tempo, più vivace | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | D Major | 1 | 10B | 196 BPM |
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