Paul Tortelier made "Gigue Suite Violoncelle N3 Ut Maj Bwv1009 Remast" available on March 3, 2003. The duration of Gigue Suite Violoncelle N3 Ut Maj Bwv1009 Remast is about 3 minutes long, at 3:20. Based on our data, "Gigue Suite Violoncelle N3 Ut Maj Bwv1009 Remast" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 36 in the song's album "Suites For Cello Solo". In this album, this song's track order is #18. In terms of popularity, Gigue Suite Violoncelle N3 Ut Maj Bwv1009 Remast is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Gigue Suite Violoncelle N3 Ut Maj Bwv1009 Remast by Paul Tortelier having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, R: Don Quixote, Op. 35: Variation X. Duel with the Knight of the Bright Moon | Richard Strauss, Rudolf Kempe, Max Rostal, Paul Tortelier, Staatskapelle Dresden | B♭ Major | 4 | 6B | 171 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi minuetto | Johannes Brahms, Mischa Maisky, Pavel Gililov | G Major | 0 | 9B | 72 BPM | ||
Symphonie Espagnole In D Minor, Op. 21: 2. Scherzando (Allegro molto) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 1 | 9B | 105 BPM | ||
Concerto pour violon "Les Rainettes", en La Majeur: Concerto pour violon "Les Rainettes", en La Majeur: I. Ohne Satzbezeichnung | Georg Philipp Telemann, Midori Seiler, Stephan Mai, Akademie für Alte Musik Berlin | A♭ Major | 2 | 4B | 117 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: III. Grave | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 94 BPM | ||
Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation VII. Andante sostenuto - Variation VIII and Coda. Allegro moderato con anima | Pyotr Ilyich Tchaikovsky, Paul Tortelier, Northern Sinfonia Of England, Yan Pascal Tortelier | G Major | 0 | 9B | 132 BPM | ||
Dvořák: Cello Concerto in B Minor, Op. 104, B. 191: III. Finale. Allegro moderato | Antonín Dvořák, Paul Tortelier, London Symphony Orchestra, André Previn | B Major | 1 | 1B | 108 BPM | ||
Concerto grosso Op. 3 No. 6 in D major / D minor: Concerto grosso Op. 3 No. 6 in D major / D minor: I | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Major | 2 | 3B | 109 BPM |
Section: 1.0601873397827148
End: 1.067004680633545