Billie's Bounce - Live At The Opera House, Chicago / 1957
Stan Getz, J.J. Johnson
Stan Getz And J.J. Johnson At The Opera House (Live / 1957)
9:45 April 14, 1987
BPM
108
Key
G Minor
Camelot
6A

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Billie's Bounce - Live At The Opera House, Chicago / 1957 - Stan Getz, J.J. Johnson Information

Acousticness
33%
Danceability
58%
Energy
65%
Instrumentalness
0%
Liveness
97%
Loudness
76%
Speechiness
4%
Valence
82%
Popularity
Loudness
-14.283 dB

Summary

On April 14, 1987, the song "Billie's Bounce - Live At The Opera House, Chicago / 1957" was released by Stan Getz, J.J. Johnson. Since Billie's Bounce - Live At The Opera House, Chicago / 1957 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Stan Getz And J.J. Johnson At The Opera House (Live / 1957)". In this album, this song's track order is #1. In terms of popularity, Billie's Bounce - Live At The Opera House, Chicago / 1957 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Billie's Bounce - Live At The Opera House, Chicago / 1957 BPM

With Billie's Bounce - Live At The Opera House, Chicago / 1957 by Stan Getz, J.J. Johnson having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.

Billie's Bounce - Live At The Opera House, Chicago / 1957 Key

This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.4830152988433838

End: 0.48709797859191895