"Nabucco: Ben io t'invenni. O fatal scritto!… Anch'io dischiuso un giorno… Salgo già del trono aurato" by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Santina Lanza was released on April 18, 2017. Nabucco: Ben io t'invenni. O fatal scritto!… Anch'io dischiuso un giorno… Salgo già del trono aurato appears to be safe for all ages as it is not explicit. There are a total of 55 in the song's album "Ultimate Opera Collection: Greatest Arias of All Time, Vol. 2". In this album, this song's track order is #45. Nabucco: Ben io t'invenni. O fatal scritto!… Anch'io dischiuso un giorno… Salgo già del trono aurato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nabucco: Ben io t'invenni. O fatal scritto!… Anch'io dischiuso un giorno… Salgo già del trono aurato by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Santina Lanza having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 7 in A major, Op. 92: II. Allegretto | Nicolaus Esterhazy Sinfonia | E Minor | 0 | 9A | 143 BPM | ||
Massenet: Thaïs, Act 2 Tableau 2: Méditation (Andante religioso) | Jules Massenet, Itzhak Perlman, Lawrence Foster | E Minor | 1 | 9A | 171 BPM | ||
Swan Lake, Op. 20, TH. 12: Pas de trois: 2. Andante sostenuto (Arr. Eshkeri and Orch. Dannheisser) | Belgrade Philharmonic Orchestra, Andy Brown | C Minor | 1 | 5A | 90 BPM | ||
La traviata, Act 1: "Libiamo, ne' lieti calici" (Live) | Dame Joan Sutherland, Luciano Pavarotti | B♭ Major | 2 | 6B | 79 BPM | ||
Silenzio cantatore | Gaetana Lama, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E Minor | 2 | 9A | 83 BPM | ||
Reflection | Franco Piersanti, Czech National Symphony Orchestra | A Minor | 1 | 8A | 134 BPM | ||
Tosca: E lucevan le stelle | Giacomo Puccini, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Sir Edward Downes | B Minor | 1 | 10A | 66 BPM | ||
Concerto en ré mineur, bwv974 - Adagio (d'après Marcello) | Élise Robineau | D Minor | 0 | 7A | 83 BPM | ||
Requiem, Op.48: 7. In paradisum (I) | Gabriel Fauré, The Monteverdi Choir, Salisbury Cathedral Boy Choristers, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D Major | 0 | 10B | 110 BPM | ||
Gavotta di Olympia, Pt. 1 | Nicola Piovani | A Minor | 0 | 8A | 109 BPM |
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