Joseph Haydn, Royal Philharmonic Orchestra's ' "Bugle Calls" was released on its scheduled release date, 2015. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Royal Philharmonic Orchestra's "Last Night of the Proms" album is number 2 out of 17. On top of that, Australia appears to be the country where this track was created. Bugle Calls is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Bugle Calls by Joseph Haydn, Royal Philharmonic Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Grosse Zapfenstreich (Gebet (Ich bete an die M | Musikkorps Der 11 Panzer-Grenadier-Division | E♭ Major | 3 | 5B | 72 BPM | ||
Final Failsafe | Fenvalur | E Minor | 6 | 9A | 160 BPM | ||
National Anthem of the DDR (Period 1949-1990) 'Auferstanden aus Ruinen' | Woodgate Orchestra | G Minor | 4 | 6A | 115 BPM | ||
London Suite: III. Knightsbridge March | Eric Francis Harrison Coates, Royal Philharmonic Orchestra, Carl Davis | C Major | 3 | 8B | 111 BPM | ||
The Creation, Hob. XXI:2: Pt. I, No.1: Die Vorstellung des Chaos (the Representation of Chaos) | Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering | C Minor | 0 | 5A | 70 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: No. 16, Anitra's Dance | Edvard Grieg, Sir Thomas Beecham, Royal Philharmonic Orchestra | A Major | 2 | 11B | 95 BPM | ||
Fantasia On British Sea Songs - Home Sweet Home | Royal Philharmonic Orchestra | B♭ Major | 1 | 6B | 137 BPM | ||
The Adventures of Tin Tin: Main Theme | Danish National Symphony Orchestra, Danish National Concert Choir, Christian Schumann | D Minor | 5 | 7A | 141 BPM | ||
1812 Festival Overture, Op. 49: 1812 Overture, Op. 49 | Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Adrian Leaper | E♭ Major | 5 | 5B | 85 BPM | ||
Peer Gynt, Op. 23: Morning Mood | Edvard Grieg, Yuri Temirkanov | E Major | 0 | 12B | 132 BPM |