Alfred Grünfeld, Anthony Goldstone's 'Soiree de Vienne - Concert Paraphrase from Strauss' Waltzes from Die Fledermaus and others, Op. 56' came out on April 1, 2013. Soiree de Vienne - Concert Paraphrase from Strauss' Waltzes from Die Fledermaus and others, Op. 56 is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The track order of this song in Anthony Goldstone's "Goldstone, Anthony: A Night at the Opera" album is number 13 out of 13. In terms of popularity, Soiree de Vienne - Concert Paraphrase from Strauss' Waltzes from Die Fledermaus and others, Op. 56 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Soiree de Vienne - Concert Paraphrase from Strauss' Waltzes from Die Fledermaus and others, Op. 56 by Alfred Grünfeld, Anthony Goldstone to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Zigeunerbaron (Excerpts Arr. E. Dohnányi for Piano): Klopfpolka | Johann Strauss II, Alfred Grünfeld | E♭ Major | 2 | 5B | 70 BPM | ||
Variations for Piano, Op. 48: Var. 4. Tempo primo | Xaver Scharwenka, Seta Tanyel | D Minor | 0 | 7A | 121 BPM | ||
Myrthen, Op. 25: No. 1, Widmung (Arr. C. Schumann for Solo Piano) | Robert Schumann, Mari Kodama | A♭ Major | 0 | 4B | 70 BPM | ||
Prelude in G-sharp minor, Op. 32, No. 12 | Sergei Rachmaninoff, Valentin Magyar | A Major | 1 | 11B | 85 BPM | ||
Serenade in A Minor | Imre Széchényi, György Lázár, Istvan Kassai | F Minor | 1 | 4A | 112 BPM | ||
Lieder ohne Worte VI, Op. 67: I. Andante, MWV U180 | Felix Mendelssohn, Howard Shelley | E Major | 0 | 12B | 97 BPM | ||
Norwegian Peasant Dances, Op. 72: No. 16, Kivlemøyane. Springdans. Introduction. Allegro moderato | Edvard Grieg, Rune Alver | F Major | 0 | 7B | 87 BPM | ||
16 Waltzes, Op. 39: No. 5 in E Major | Johannes Brahms, Duo Degas | D Minor | 0 | 7A | 80 BPM | ||
3 Morceaux poétiques, Op. 42: I. Romance | Moritz Moszkowski, Seta Tanyel | F Major | 0 | 7B | 75 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Luke Faulkner | C Minor | 0 | 5A | 73 BPM |
Section: 0.643057107925415
End: 0.6463401317596436