"Have Yourself a Merry Little Christmas (from "Meet Me in St. Louis") - 2006 Remaster" by Judy Garland was released on April 26, 2006. The duration of Have Yourself a Merry Little Christmas (from "Meet Me in St. Louis") - 2006 Remaster is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Have Yourself a Merry Little Christmas (from "Meet Me in St. Louis") - 2006 Remaster's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 124 in the song's album "That's Entertainment (The Ultimate Soundtrack Anthology of MGM Musicals)". In this album, this song's track order is #66. In terms of popularity, Have Yourself a Merry Little Christmas (from "Meet Me in St. Louis") - 2006 Remaster is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Have Yourself a Merry Little Christmas (from "Meet Me in St. Louis") - 2006 Remaster by Judy Garland having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adelaide's Lament | Vivian Blaine (performer) | G Minor | 3 | 6A | 80 BPM | ||
The Band Played On | Guy Lombardo | A♭ Major | 1 | 4B | 168 BPM | ||
The Wild, Wild West | Virginia O'Brien | B♭ Major | 2 | 6B | 105 BPM | ||
Long Ago and Far Away | Rita Hayworth | F Major | 2 | 7B | 163 BPM | ||
All That Jazz (from "Chicago") | John Kander, Chita Rivera, Chicago Ensemble, Stanley Lebowsky | E Major | 5 | 12B | 127 BPM | ||
Ah! Sweet Mystery Of Life (From "Naughty Marietta") | Victor Herbert, Rida Johnson Young, Jeanette MacDonald, Robert Russell Bennett | D♭ Major | 2 | 3B | 93 BPM | ||
The Wizard of Oz - Opening Title | Harold Arlen | A Major | 4 | 11B | 119 BPM | ||
The Man I Used to Be | William Johnson | A♭ Major | 3 | 4B | 104 BPM | ||
Here's to Love | Renée Zellweger, Ewan McGregor | G Major | 5 | 9B | 126 BPM | ||
Empire State Montage (from "An Affair To Remember") | Gary Grant, Deborah Kerr | G Minor | 2 | 6A | 174 BPM |
Section: 1.2207868099212646
End: 1.2257297039031982