- BPM
- 75
- Key
- B♭ Minor
- Camelot
- 3A
Variations on the Romance Venitian Night by Mikhail Glinka: VII. Adagio - Anatoly Lyadov, Vladimir Stoupel Information
- Acousticness
- 100%
- Danceability
- 35%
- Energy
- 0%
- Instrumentalness
- 95%
- Liveness
- 8%
- Loudness
- 38%
- Speechiness
- 5%
- Valence
- 70%
- Popularity
- 0%
- Loudness
- -37.148 dB
Summary
Anatoly Lyadov, Vladimir Stoupel made "Variations on the Romance Venitian Night by Mikhail Glinka: VII. Adagio" available on August 18, 2017. The duration of Variations on the Romance Venitian Night by Mikhail Glinka: VII. Adagio is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Variations on the Romance Venitian Night by Mikhail Glinka: VII. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Vladimir Stoupel's "Mikhail Glinka: Variations for Piano" album is number 43 out of 48. Variations on the Romance Venitian Night by Mikhail Glinka: VII. Adagio is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Variations on the Romance Venitian Night by Mikhail Glinka: VII. Adagio BPM
We consider the tempo marking of Variations on the Romance Venitian Night by Mikhail Glinka: VII. Adagio by Anatoly Lyadov, Vladimir Stoupel to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
Variations on the Romance Venitian Night by Mikhail Glinka: VII. Adagio Key
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La Vida Breve: Danza Española No. 1 (Arr. for Harp & Guitar) | Manuel de Falla, Duo Multicorde | A Minor | 2 | 8A | 96 BPM | |
 | Sorochinskaya yarmarka (Sorochintsi Fair) (arr. A.K. Liadov): Act I: Gopak (Hopak) | Modest Mussorgsky, Anatoly Lyadov, Royal Philharmonic Orchestra, Grzegorz Nowak | G Major | 1 | 9B | 89 BPM | |
 | Orlando / Act 3: Sorge infausta una procella | George Frideric Handel, Ildebrando D'Arcangelo, Modo Antiquo, Federico Maria Sardelli | D Major | 1 | 10B | 132 BPM | |
 | Balakirev : Islamey | Mily Balakirev, Boris Berezovsky | D Major | 2 | 10B | 73 BPM | |
 | 10 Preludes, Op. 23: No. 2 in B-Flat Major: Maestoso | Sergei Rachmaninoff, Eldar Nebolsin | D♭ Major | 1 | 3B | 63 BPM | |
 | 21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | |
 | Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | |
 | Violin Romance No. 1 In G Major, Op. 40 | Ludwig van Beethoven, Pinchas Zukerman, London Philharmonic Orchestra, Daniel Barenboim | G Major | 0 | 9B | 126 BPM | |
 | Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | |
 | 4 Preludes, Op. 46: No. 2, Agitato | Anatoly Lyadov, Olga Solovieva | G Minor | 3 | 6A | 72 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.0252902507781982
End: 1.0301234722137451