"The Hours - Arr. Michael Riesman: Choosing Life" by Philip Glass, Valentina Lisitsa was released on August 16, 2022. With this song being about 5 minutes long, at 4:42, "The Hours - Arr. Michael Riesman: Choosing Life" by Philip Glass, Valentina Lisitsa is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Philip Glass, Michael Nyman, Arvo Pärt's "Minimalism: Summer Nights" album is number 34 out of 102. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Hours - Arr. Michael Riesman: Choosing Life's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Hours - Arr. Michael Riesman: Choosing Life by Philip Glass, Valentina Lisitsa to be Allegro (fast, quick, and bright) because the track has a tempo of 149 BPM, a half-time of 74BPM, and a double-time of 298 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Opening | Philip Glass, Bruce Brubaker | C Minor | 0 | 5A | 77 BPM | ||
Quintett N.1 | Dustin O'Halloran | C Major | 0 | 8B | 50 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Bach mit Zumutungen | Víkingur Ólafsson, Roedelius, Thomas Rabitsch | A Major | 2 | 11B | 134 BPM | ||
Dew and Spiderwebs | Hauschka | C Major | 2 | 8B | 94 BPM | ||
DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
Les Barricades mystérieuses | François Couperin, David Greilsammer | B♭ Major | 0 | 6B | 131 BPM |
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