- BPM
- 103
- Key
- B♭ Minor
- Camelot
- 3A
Teil 13 - Folge 13: Gefangen in der Mikrowelt (2/2) - John Sinclair, Frank Glaubrecht, Joachim Kerzel, Franziska Pigulla, Martin May, Jason Dark Information
- Acousticness
- 89%
- Danceability
- 60%
- Energy
- 62%
- Instrumentalness
- 0%
- Liveness
- 50%
- Loudness
- 82%
- Speechiness
- 91%
- Valence
- 59%
- Popularity
- 16%
- Loudness
- -10.527 dB
Summary
John Sinclair, Frank Glaubrecht, Joachim Kerzel, Franziska Pigulla, Martin May, Jason Dark made "Teil 13 - Folge 13: Gefangen in der Mikrowelt (2/2)" available on February 26, 2002. The duration of Teil 13 - Folge 13: Gefangen in der Mikrowelt (2/2) is about 3 minutes long, at 3:00. Based on our data, "Teil 13 - Folge 13: Gefangen in der Mikrowelt (2/2)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 16 in Folge 13: Gefangen in der Mikrowelt (2/2) by John Sinclair. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Teil 13 - Folge 13: Gefangen in der Mikrowelt (2/2) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Teil 13 - Folge 13: Gefangen in der Mikrowelt (2/2) BPM
The tempo marking of Teil 13 - Folge 13: Gefangen in der Mikrowelt (2/2) by John Sinclair, Frank Glaubrecht, Joachim Kerzel, Franziska Pigulla, Martin May, Jason Dark is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
Teil 13 - Folge 13: Gefangen in der Mikrowelt (2/2) Key
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Berge des Wahnsinns - Das komplette Hörspiel, Teil 10 | Phantastische Geschichten, H.P. Lovecraft, Oliver Döring, Hans-Georg Panczak, René Dawn-Claude, Martin Keßler, Hans Beyer, Antje von der Ahe, Bernd Vollbrecht, Till Hagen, Katrin Fröhlich, Jörg Döring, Juliane Ahlemeier, Daniel Welbat, Philipp Schepmann, Philipp Schulze, Thomas Nokielski, Marco Rosenberg, Rafael Weissengruber, Jan Single, Johann Fohl, Joachim Kerzel | A Major | 8 | 11B | 130 BPM | |
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 | Kapitel 02: Die teuflische Falle (Folge 27) | Jan Tenner | D♭ Major | 5 | 3B | 128 BPM | |
 | Teil 21 - Die neuen Fälle, Fall 34: In den Klauen der Angst | Sherlock Holmes, Marc Freund, Christian Rode, Peter Groeger, Lutz Harder, Alexis Krüger, Margrit Strassburger, Frank Glaubrecht, Wolfgang Draeger, Martin Kautz, Thomas Petruo | F♯ Major | 8 | 2B | 111 BPM | |
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- ISRC
- DEZZ42186477
- Label
- L-M Records/RCA Records
Section: 0.4810831546783447
End: 0.4855036735534668