- BPM
- 127
- Key
- E Minor
- Camelot
- 9A
Preludes and Fugues for Piano, Op. 87: Prelude & Fugue No. 4 in E Minor - Dmitri Shostakovich, Keith Jarrett Information
- Acousticness
- 99%
- Danceability
- 36%
- Energy
- 6%
- Instrumentalness
- 88%
- Liveness
- 8%
- Loudness
- 60%
- Speechiness
- 5%
- Valence
- 6%
- Popularity
- 13%
- Loudness
- -23.902 dB
Summary
"Preludes and Fugues for Piano, Op. 87: Prelude & Fugue No. 4 in E Minor" by Dmitri Shostakovich, Keith Jarrett had its release date on June 1, 1992. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 24 in Dmitri Shostakovich: 24 Preludes And Fugues, Op. 87 by Dmitri Shostakovich, Keith Jarrett. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Preludes and Fugues for Piano, Op. 87: Prelude & Fugue No. 4 in E Minor's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Preludes and Fugues for Piano, Op. 87: Prelude & Fugue No. 4 in E Minor BPM
The tempo marking of Preludes and Fugues for Piano, Op. 87: Prelude & Fugue No. 4 in E Minor by Dmitri Shostakovich, Keith Jarrett is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Preludes and Fugues for Piano, Op. 87: Prelude & Fugue No. 4 in E Minor Key
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Chamber Symphony in F Major, Op. 73a (Arr. R. Barshai): I. Allegretto | Rudolf Barshai, Dmitri Shostakovich, Kyiv Virtuosi, Dmitry Yablonsky | C Major | 1 | 8B | 88 BPM | |
 | 12 Notations pour piano: I Fantasque - Modéré | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 79 BPM | |
 | Lyric Pieces Book IV, Op. 47: No. 3 Melodie | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 73 BPM | |
 | Toccata | Aram Khachaturian, Karine Poghosyan | A♭ Minor | 2 | 1A | 104 BPM | |
 | 6 Encores: No. 3 Wasserklavier | Luciano Berio, Hélène Grimaud | B♭ Minor | 0 | 3A | 81 BPM | |
 | Suite No. 15 in D Minor for Harpsichord, HWV 447: 3. Sarabande | George Frideric Handel, Keith Jarrett | D Minor | 1 | 7A | 79 BPM | |
 | Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato | Dmitri Shostakovich, Simon Trpčeski, Andrei Kavalinski, Cristian Măcelaru, Janáček Philharmonic Ostrava | A♭ Major | 1 | 4B | 75 BPM | |
 | 24 Preludes and Fugues, Op. 87: Prelude No. 1 in C Major | Dmitri Shostakovich, Hannes Minnaar | G Minor | 1 | 6A | 81 BPM | |
 | Must the Devil Have All the Good Tunes?: II. Much Slower; Gently, Relaxed | John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | F Major | 1 | 7B | 60 BPM | |
 | Nocturne No. 15 In F Minor, Op. 55 No. 1 | Frédéric Chopin, Maurizio Pollini | F Minor | 0 | 4A | 71 BPM |
- ISRC
- DEB339146904
- Label
- L-M Records/RCA Records