"Te Deum: II. Grand Jeu du 3e ton" by Louis Marchand, Jean-Baptiste Robin was released on July 1, 2001. The duration of Te Deum: II. Grand Jeu du 3e ton is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Te Deum: II. Grand Jeu du 3e ton's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Louis Marchand, Jean-Baptiste Robin's "Louis Marchand: L'œuvre pour orgue" album is number 18 out of 23. In terms of popularity, Te Deum: II. Grand Jeu du 3e ton is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Te Deum: II. Grand Jeu du 3e ton by Louis Marchand, Jean-Baptiste Robin to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scarlatti, D: Keyboard Sonata in D Minor, Kk. 32 | Domenico Scarlatti, Scott Ross | E Minor | 3 | 9A | 97 BPM | ||
6. Aria: Ein Gebet um neue Stärke | Georg Anton Kreusser, Julia Sophie Wagner, Karsten Storck, Mainzer Domorchester | A Major | 2 | 11B | 74 BPM | ||
Missa Divi Xaverii, ZWV 12: Christe eleison | Jan Dismas Zelenka, Hana Blaziková, Collegium 1704, Vaclav Luks | F♯ Minor | 3 | 11A | 171 BPM | ||
Ariadne Musica: No. 2, Prelude & Fugue in C-Sharp Minor | Johann Caspar Ferdinand Fischer, Andreas Staier | C Minor | 2 | 5A | 124 BPM | ||
Baryton Trio in A Major, Hob. XI:71: III. Finale. Allegro di molto | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
Gesu al Calvario, ZWV 62: Chorus: Questo e il monte salutare (Chorus) | Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | B Minor | 2 | 10A | 98 BPM | ||
La De Belombre, Vivement | Jacques Duphly, Elisabeth Joyé | C Minor | 4 | 5A | 113 BPM | ||
Lachrimae | Johann Schop, Rachel Podger, Brecon Baroque | D♭ Minor | 1 | 12A | 119 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
John Merro's Book: Lachrimae for Solo Lyra-Viol | Anonymous Anon., Jonathan Dunford | D♭ Major | 1 | 3B | 102 BPM |
Section: 0.7211894989013672
End: 0.7249870300292969