Frauenliebe und -leben Op.42: 1. Seit ich ihn gesehen - Robert Schumann, Barbara Bonney, Vladimir Ashkenazy Information

Acousticness: 98%
Danceability: 29%
Energy: 1%
Instrumentalness: 0%
Liveness: 9%
Loudness: 52%
Speechiness: 5%
Valence: 4%
Popularity: 8%
Loudness: -29.063 dB

Summary

"Frauenliebe und -leben Op.42: 1. Seit ich ihn gesehen" by Robert Schumann, Barbara Bonney, Vladimir Ashkenazy was released on January 1, 1997. The duration of Frauenliebe und -leben Op.42: 1. Seit ich ihn gesehen is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Frauenliebe und -leben Op.42: 1. Seit ich ihn gesehen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Robert & Clara Schumann Lieder - Frauenliebe und -Leben". In this album, this song's track order is #10. Based on our statistics, Frauenliebe und -leben Op.42: 1. Seit ich ihn gesehen's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Frauenliebe und -leben Op.42: 1. Seit ich ihn gesehen BPM

With Frauenliebe und -leben Op.42: 1. Seit ich ihn gesehen by Robert Schumann, Barbara Bonney, Vladimir Ashkenazy having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.

Frauenliebe und -leben Op.42: 1. Seit ich ihn gesehen Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits	Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra	D Minor	1	7A	67 BPM
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet	Antonín Dvořák, Peter Breiner	A Major	0	11B	67 BPM
Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen	Robert Schumann, Maria João Pires	G Major	0	9B	67 BPM
Nocturne No. 13 in D Minor	John Field, Benjamin Frith	F Major	1	7B	69 BPM
6 Moments musicaux, Op. 94, D. 780: No. 3 Allegro moderato	Lang Lang	F Minor	1	4A	128 BPM
Naive Music: No. 2. Nocturne	Valentin Silvestrov, Elisaveta Blumina	B♭ Major	0	6B	68 BPM
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor	Felix Mendelssohn, Bertrand Chamayou	F♯ Minor	1	11A	69 BPM
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano)	Wilhelm Kempff, George Frideric Handel, Roberto Cominati	G Minor	0	6A	60 BPM
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana	Ottorino Respighi, Konstantin Scherbakov	B Minor	0	10A	197 BPM
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major	Franz Schubert, Rudolf Buchbinder	G Major	0	9B	135 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7221055030822754

End: 0.7258374691009521