- BPM
- 144
- Key
- C Minor
- Camelot
- 5A
The Spider - Pavlo Hunka, Albert Krywolt Information
- Acousticness
- 97%
- Danceability
- 34%
- Energy
- 28%
- Instrumentalness
- 1%
- Liveness
- 10%
- Loudness
- 78%
- Speechiness
- 5%
- Valence
- 5%
- Popularity
- 0%
- Loudness
- -13.42 dB
Summary
"The Spider" by Pavlo Hunka, Albert Krywolt was released on November 2, 2014. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Stefania Turkewich: Galicians I". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, The Spider's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Spider BPM
With The Spider by Pavlo Hunka, Albert Krywolt having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
The Spider Key
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Clos ta paupière | Charles Gounod, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | |
 | Gounod: Faust, CG 4, Act 1 Scene 1: No. 2, Scène et Choeur, (b) "Ah! Paresseuse fille qui sommeille encor!" (Choeur, Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
 | Elijah, Op.70, MWV A25 / Part 1: "Lord, bow Thine ear to our pray'r!" | Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Yvonne Kenny, Anne Dawson, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 0 | 8A | 111 BPM | |
 | Stabat Mater, FP 148: V. Quis est homo | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | A Minor | 4 | 8A | 90 BPM | |
 | A Midsummer Night's Dream, Op. 61: Finale | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | |
 | The Pitiless | Myroslav Volynsky, Pavlo Hunka, Albert Krywolt | F♯ Major | 1 | 2B | 63 BPM | |
 | Behind the Grove | Yakiv Stepovyi, Pavlo Hunka, Albert Krywolt | C Major | 1 | 8B | 132 BPM | |
 | Katya Kabanova, JW I/8, Act II Scene 2: "Za vodou, za vodičkou" | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Magdalena Kozená, Ladislav Elgr, Simon O'Neill | B Major | 1 | 1B | 125 BPM | |
 | Lohengrin, WWV 75 / Act II: "Euch Lüften, die mein Klagen" | Richard Wagner, Cheryl Studer, Waltraud Meier, Hartmut Welker, Wiener Philharmoniker, Claudio Abbado | C Major | 4 | 8B | 49 BPM | |
 | Te Deum, WAB 45: II. Te ergo quaesumus | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio Chorus | F Major | 2 | 7B | 98 BPM |
- ISRC
- ushm21524967
- Label
- L-M Records/RCA Records
Section: 0.7181375026702881
End: 0.722130537033081