- BPM
- 0
- Key
- D Minor
- Camelot
- 7A
26 Variations on "La Follia di Spagna" (1815): Variation 11 (Allegretto) - Antonio Salieri, Pietro Spada, Philharmonia Orchestra, David Nolan Information
- Acousticness
- 100%
- Danceability
- 0%
- Energy
- 23%
- Instrumentalness
- 91%
- Liveness
- 16%
- Loudness
- 67%
- Speechiness
- 0%
- Valence
- 0%
- Popularity
- 2%
- Loudness
- -20.0 dB
Summary
"26 Variations on "La Follia di Spagna" (1815): Variation 11 (Allegretto)" by Antonio Salieri, Pietro Spada, Philharmonia Orchestra, David Nolan was released on January 1, 1996. With 26 Variations on "La Follia di Spagna" (1815): Variation 11 (Allegretto) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 36 in the song's album "Salieri: The 2 Piano Concertos etc.". In this album, this song's track order is #20. 26 Variations on "La Follia di Spagna" (1815): Variation 11 (Allegretto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
26 Variations on "La Follia di Spagna" (1815): Variation 11 (Allegretto) BPM
With 26 Variations on "La Follia di Spagna" (1815): Variation 11 (Allegretto) by Antonio Salieri, Pietro Spada, Philharmonia Orchestra, David Nolan having a BPM of 0 with a half-time of 0 BPM and a double-time of 0 BPM, we would consider this track to have a Larghissimo tempo marking. Because of this, we believe that the song has an overall slow tempo.
26 Variations on "La Follia di Spagna" (1815): Variation 11 (Allegretto) Key
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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![Water Music, Suite No. 3, HWV 350: Water Music, Suite No. 3, HWV 350: XX. [Gigue 1] - XXI. [Gigue 2] da capo by George Frideric Handel, Akademie für Alte Musik Berlin](https://i.scdn.co/image/ab67616d00001e0202c7ab39ccf7f834da1596a4) | Water Music, Suite No. 3, HWV 350: Water Music, Suite No. 3, HWV 350: XX. [Gigue 1] - XXI. [Gigue 2] da capo | George Frideric Handel, Akademie für Alte Musik Berlin | F♯ Minor | 1 | 11A | 122 BPM | |
 | String Quartet in E-Flat Major, Op. 2, No. 4, Ben. 310: III. Tempo di Minuetto | Ignaz Pleyel, Enso String Quartet | A Minor | 1 | 8A | 116 BPM | |
 | Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM | |
 | Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | |
 | Violin Concerto in D Major, Op. 35, TH 59: III. Finale (Allegro vivacissimo) | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra | D Major | 1 | 10B | 97 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | |
![Keyboard Concerto No. 5 in F Minor, BWV 1056: I. [Allegro] by Johann Sebastian Bach, Simone Dinnerstein, Staatskapelle Berlin](https://i.scdn.co/image/ab67616d00001e02dddd97512c304f31ad525606) | Keyboard Concerto No. 5 in F Minor, BWV 1056: I. [Allegro] | Johann Sebastian Bach, Simone Dinnerstein, Staatskapelle Berlin | B♭ Minor | 3 | 3A | 143 BPM | |
 | Armida, Atto Terzo Scena 2: Corri, Regina (Ismene, Armida) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Teresa Iervolino, Lenneke Ruiten | C Major | 2 | 8B | 105 BPM | |
 | Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7169821262359619
End: 0.7210831642150879