Wolfgang Amadeus Mozart, Carlo Maria Giulini made "Mozart: Don Giovanni, K. 527, Act 1 Scene 11: Recitativo, "Mi par ch'oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) - Recitativo, "Ah! ti retrovo ancor" (Donna Elvira)" available on 1997. With Mozart: Don Giovanni, K. 527, Act 1 Scene 11: Recitativo, "Mi par ch'oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) - Recitativo, "Ah! ti retrovo ancor" (Donna Elvira) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Carlo Maria Giulini's "Mozart - Don Giovanni" album is number 20 out of 72. Mozart: Don Giovanni, K. 527, Act 1 Scene 11: Recitativo, "Mi par ch'oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) - Recitativo, "Ah! ti retrovo ancor" (Donna Elvira) is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 1 Scene 11: Recitativo, "Mi par ch'oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) - Recitativo, "Ah! ti retrovo ancor" (Donna Elvira) by Wolfgang Amadeus Mozart, Carlo Maria Giulini to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem In D Minor, K. 626: Sequence: VI. Lacrimosa Dies Illa | Slovak Philharmonic, Jaroslava Horska, Vladimir Ruso, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Jozef Kundlák, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Minor | 1 | 7A | 180 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 1. Allegro | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | G Major | 0 | 9B | 156 BPM | ||
Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Major | 0 | 7B | 68 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM |
Section: 0.8896358013153076
End: 0.893866777420044