"Born To Be Blue" by Beverly Kenney was released on July 6, 1959. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 12 in Born To Be Blue by Beverly Kenney. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Born To Be Blue is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Born To Be Blue by Beverly Kenney is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Green Eyes | Helen O'Connell | A♭ Major | 2 | 4B | 101 BPM | ||
Come Rain or Come Shine | Helen Forrest | A♭ Major | 2 | 4B | 103 BPM | ||
Maybe You'll Be There | Etta Jones | A♭ Major | 1 | 4B | 119 BPM | ||
I Got A Right To Cry - Remastered | Mose Allison | A♭ Major | 3 | 4B | 120 BPM | ||
Baby, Won't You Please Come Home? - Single Version | Ella Fitzgerald and Her Famous Orchestra | G Minor | 1 | 6A | 92 BPM | ||
Makin' Whoopee - 1998 Digital Remaster | Gerry Mulligan | F Major | 1 | 7B | 80 BPM | ||
When You're Smiling (The Whole World Smiles With You) | Benny Goodman Trio | E♭ Major | 3 | 5B | 157 BPM | ||
Looking at You | Mabel Mercer | G Major | 1 | 9B | 112 BPM | ||
Somebody Else Is Taking My Place | Beverly Kenney | A♭ Major | 2 | 4B | 93 BPM | ||
Days of Wine and Roses | Billy Eckstine | A♭ Major | 2 | 4B | 86 BPM |
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