John Dowland, Fretwork made "M. George Whitehead his Almand from Lachrimae, or Seaven Teares" available on December 1, 1993. With M. George Whitehead his Almand from Lachrimae, or Seaven Teares being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 21 in Dowland - Lachrimae by John Dowland, Fretwork, Christopher Wilson. M. George Whitehead his Almand from Lachrimae, or Seaven Teares is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of M. George Whitehead his Almand from Lachrimae, or Seaven Teares by John Dowland, Fretwork is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzona prima a basso solo, "detta l'altera" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 148 BPM | ||
Concert en e mi la: V. Menüet | Francesco Corbetta, Simone Vallerotonda, Bor Zuljan | E♭ Minor | 1 | 2A | 103 BPM | ||
Fortune my foe | John Dowland, Trinity Baroque, Steven Player, The Holbein Consort, Julian Podger, The Forbury Consort, Martin Pope, Alan Crumpler | C Major | 0 | 8B | 93 BPM | ||
The False Consonances of Musick, Aria I | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
Lawes: Consort Set No. 8 for 6 Viols in F Major, VdGS 90-93: I. Fantazy (The Sunrise) | William Lawes, Fretwork | F Major | 0 | 7B | 80 BPM | ||
From Cambridge University Library, Ms. Dd.2.11: XIII. A Dream (75) | John Dowland, Jakob Lindberg | F♯ Minor | 1 | 11A | 82 BPM | ||
Le nymphe di Rheno, Op. 8: Sonata No. 1 in B Minor: III. Corrente | Johannes Schenck, Margaret Little, Susie Napper, Les Voix Humaines | A Minor | 1 | 8A | 117 BPM | ||
Fantasia for the Great Dooble Bass No. 17 (No. 2) | Nicholas Parker, Fretwork | F♯ Minor | 1 | 11A | 173 BPM | ||
Sir John Souch His Galiard | Jordi Savall, John Dowland | C Major | 1 | 8B | 116 BPM | ||
D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM |
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