Maury Yeston, Brian D'Arcy James, Clarke Thorell, David Costabile, Robin Irwin, Jennifer Piech, John Bolton, Martin Moran, Michael Mulheren, Don Stephenson, Larry Keith, Alma Cuervo, Allan Corduner, William Youmans, Mara Stephens, Victoria Clark, Henry Stram, Titanic Ensemble, Kevin Stites's 'To the Lifeboats / Getting in the Lifeboat / I Must Get on That Ship (Reprise) / Lady's Maid (Reprise) / The Proposal / The Night Was Alive (Reprise) / Canons' came out on January 1, 1980. The duration of To the Lifeboats / Getting in the Lifeboat / I Must Get on That Ship (Reprise) / Lady's Maid (Reprise) / The Proposal / The Night Was Alive (Reprise) / Canons is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. To the Lifeboats / Getting in the Lifeboat / I Must Get on That Ship (Reprise) / Lady's Maid (Reprise) / The Proposal / The Night Was Alive (Reprise) / Canons's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Titanic: The Musical (Original Broadway Cast Recording)". In this album, this song's track order is #18. In terms of popularity, To the Lifeboats / Getting in the Lifeboat / I Must Get on That Ship (Reprise) / Lady's Maid (Reprise) / The Proposal / The Night Was Alive (Reprise) / Canons is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With To the Lifeboats / Getting in the Lifeboat / I Must Get on That Ship (Reprise) / Lady's Maid (Reprise) / The Proposal / The Night Was Alive (Reprise) / Canons by Maury Yeston, Brian D'Arcy James, Clarke Thorell, David Costabile, Robin Irwin, Jennifer Piech, John Bolton, Martin Moran, Michael Mulheren, Don Stephenson, Larry Keith, Alma Cuervo, Allan Corduner, William Youmans, Mara Stephens, Victoria Clark, Henry Stram, Titanic Ensemble, Kevin Stites having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
She Thinks I'm Old | Paul Alexander Nolan | F Minor | 3 | 4A | 149 BPM | ||
Confrontation | Colm Wilkinson, Terrence Mann | F Major | 3 | 7B | 87 BPM | ||
Harry Houdini, Master Escapist | Jim Corti, Marin Mazzie, Alex Strange | D Minor | 3 | 7A | 120 BPM | ||
No Way to Stop It | Jan Maxwell, Fred Applegate, Michael Siberry | F Major | 3 | 7B | 120 BPM | ||
Aftermath | Veanne Cox, Harrison Chad, David Costabile, Larry Keith | A♭ Major | 0 | 4B | 113 BPM | ||
The Contract | James Patterson, Manny Stark, Max Clayton, Dee Hoty, Victoria Clark, Gigi New Broadway Cast Ensemble | D Major | 5 | 10B | 72 BPM | ||
Fugue for Tinhorns | David Green, Don Stephenson, Nic Colicos | D♭ Major | 4 | 3B | 140 BPM | ||
Another Hundred People | George Blagden | E♭ Major | 4 | 5B | 108 BPM | ||
The Old Rugged Cross | Larry Keith | G Major | 2 | 9B | 74 BPM | ||
Two Men In My Life | Kate Baldwin | D Major | 3 | 10B | 180 BPM |
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