Pyotr Ilyich Tchaikovsky, György Cziffra, Andre Vandernoot, Philharmonia Orchestra's 'Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: II. Andantino semplice - Prestissimo' came out on January 1, 2001. Since Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: II. Andantino semplice - Prestissimo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Tchaikovsky: Klavierkonzert Nr. 1, Op. 23 & Violinkonzert Op. 35". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: II. Andantino semplice - Prestissimo is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: II. Andantino semplice - Prestissimo by Pyotr Ilyich Tchaikovsky, György Cziffra, Andre Vandernoot, Philharmonia Orchestra having a BPM of 47 with a half-time of 24 BPM and a double-time of 94 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaîté parisienne: Barcarolle | Jacques Offenbach, Boston Symphony Orchestra, Seiji Ozawa | A Minor | 0 | 8A | 135 BPM | ||
Swan Lake - Waltz | London Philharmonic Orchestra | A Major | 1 | 11B | 76 BPM | ||
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Grandes Etudes de Paganini, S.141: No.6 In A Minor | Franz Liszt, Daniil Trifonov | A Minor | 2 | 8A | 119 BPM | ||
Swan Lake, Op.20, Act I: 8. Dance with Goblets (Tempo di polacca) | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Major | 4 | 12B | 122 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: I. Allegro con brio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 139 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto | Antonio Vivaldi, Kyung Wha Chung, St. Luke's Chamber Ensemble | G Minor | 5 | 6A | 149 BPM | ||
Romeo and Juliet, Op. 64: No. 13 Dance of the Knights | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | C Major | 1 | 8B | 73 BPM | ||
Bagatelle No. 25 in A Minor, "Für Elise", WoO 59 | Lang Lang | A Minor | 0 | 8A | 133 BPM |
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