Boy For Sale
Lionel Bart, Michael Wennick, Rita Cameron, Nat Gonella, Leslie Fyson, Peter Brittle, Len Stevens, Cliff Adams, The Knightsbridge Theatre Orchestra
Oliver
1:59 August 9, 1969
BPM
85
Key
G Major
Camelot
9B

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Boy For Sale - Lionel Bart, Michael Wennick, Rita Cameron, Nat Gonella, Leslie Fyson, Peter Brittle, Len Stevens, Cliff Adams, The Knightsbridge Theatre Orchestra Information

Acousticness
97%
Danceability
18%
Energy
17%
Instrumentalness
0%
Liveness
11%
Loudness
75%
Speechiness
3%
Valence
17%
Popularity
Loudness
-14.726 dB

Summary

"Boy For Sale" by Lionel Bart, Michael Wennick, Rita Cameron, Nat Gonella, Leslie Fyson, Peter Brittle, Len Stevens, Cliff Adams, The Knightsbridge Theatre Orchestra had its release date on August 9, 1969. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Oliver". In this album, this song's track order is #3. Boy For Sale is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Boy For Sale BPM

With Boy For Sale by Lionel Bart, Michael Wennick, Rita Cameron, Nat Gonella, Leslie Fyson, Peter Brittle, Len Stevens, Cliff Adams, The Knightsbridge Theatre Orchestra having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

Boy For Sale Key

This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

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ISRC
QMFME2181439
Label
L-M Records/RCA Records