Gregorian Chant, Benedictine Monks of the Abbey Münsterschwarzach, Pater Godehard Joppich's 'Easter Sunday: Sequentia: Victimae paschali laudes' had a release date set for January 1, 1982. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gregorian Chant, Benedictine Abbey Choir of Munsterschwarzach, Pater Godehard Joppich's "Gregorian Chant" album is number 8 out of 38. Easter Sunday: Sequentia: Victimae paschali laudes is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Easter Sunday: Sequentia: Victimae paschali laudes by Gregorian Chant, Benedictine Monks of the Abbey Münsterschwarzach, Pater Godehard Joppich to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canto Gregoriano - Misa de Navidad: Sanctus III - Remastered | Popular, Coro de Monjes de la Abadía Benedictina de San Martín, Beuron, Peter Maurus Pfaff | D Major | 1 | 10B | 136 BPM | ||
O Come Emmanuel | Musica Sacra Chamber Chorale | D Major | 3 | 10B | 94 BPM | ||
The Little Road To Bethlehem | Michael Head, Tewkesbury Abbey Choir, Andrew Sackett | A♭ Major | 1 | 4B | 82 BPM | ||
Pueri Hebraeorum Antiphona (Palmsonntag) | Choir Of St. Abuscus | A Minor | 1 | 8A | 135 BPM | ||
What Child Is This? | Chad Lawson | D Major | 0 | 10B | 119 BPM | ||
Ave Maria | Anonymous, Charles Jauquier, Alexander Coland, Daniel Gendre, Klaus Slongo, Fribourg Children's Choir, Schola Feminine, Schola voix d'hommes, Pierre Kaelin | E Minor | 0 | 9A | 81 BPM | ||
Dans la joie de Pâques : Hymne Aurora Lucis | Dom Le Feuvre, Choeur des Bénédictins de l'Abbaye de Kergonan, Congrégation de Solesme | A♭ Minor | 1 | 1A | 83 BPM | ||
Mary's Lullaby | John Rutter, City of London Sinfonia, The Cambridge Singers | F♯ Major | 0 | 2B | 67 BPM | ||
AD Matutinum In: I. Nocturno | Sanctus Spiritus Di Roma | F Major | 1 | 7B | 70 BPM | ||
AD Matutinum In: II. Nocturno | Sanctus Spiritus Di Roma | A♭ Major | 1 | 4B | 105 BPM |