"Geistliche Chormusik, Op. 11: 19. Herzlich lieb hab ich dich, o Herr, SWV 387" by Heinrich Schütz, Frauke Hess, Ludger Rémy, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann was released on September 1, 2007. Since Geistliche Chormusik, Op. 11: 19. Herzlich lieb hab ich dich, o Herr, SWV 387 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Heinrich Schütz, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann's "Heinrich Schütz: Geistliche Chor-Music 1648 (Complete Recording Vol. 1)" album is number 1 out of 29. Based on our statistics, Geistliche Chormusik, Op. 11: 19. Herzlich lieb hab ich dich, o Herr, SWV 387's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Geistliche Chormusik, Op. 11: 19. Herzlich lieb hab ich dich, o Herr, SWV 387 by Heinrich Schütz, Frauke Hess, Ludger Rémy, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Weltliche A-Cappella-Gesänge, Secular A-Cappella Choral Works Op. 42: 1. Abenständchen | Chamber Choir Of Europe, Jürgen Meier, Johannes Brahms, Reinhard Geller, Nicol Matt | G Major | 2 | 9B | 81 BPM | ||
La Favolla d'Apollo: 11. Dal vago e bel sereno a 6 "La Pellegrina" | Cristofano Malvezzi, Ensemble Pygmalion, Raphael Pichon | D Minor | 1 | 7A | 77 BPM | ||
Trois chansons de Charles d'Orleans L. 92: I. Dieu! qu'il la fait bon regarder | Claude Debussy, Netherlands Chamber Choir | A♭ Minor | 1 | 1A | 78 BPM | ||
Missa Noe Noe: II. Gloria | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | D Minor | 1 | 7A | 124 BPM | ||
Laudate Pueri: VII. Gloria Patri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford | A Major | 1 | 11B | 85 BPM | ||
Geistliche Chormusik, Op. 11: 16. Ein Kind ist uns geboren, SWV 384 | Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, David Erler, Georg Poplutz, Tobias Mäthger, Felix Schwandtke, Frauke Hess, Ludger Rémy, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | F♯ Major | 1 | 2B | 70 BPM | ||
Crucifixus a 8 | Antonio Lotti, Les Cris De Paris, Geoffroy Jourdain | C Minor | 1 | 5A | 82 BPM | ||
Erhöre mich, wenn ich rufe, SWV 289 | Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung | F♯ Major | 1 | 2B | 166 BPM | ||
Requiem, Kyrie: III. Kyrie eleison | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi | E♭ Major | 1 | 5B | 116 BPM | ||
Te Deum "de Lyon": XI. Te ergo quæsumus famulis tuis subveni | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM |
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