Thoinot Arbeau, The Broadside Band, Jeremy Barlow's 'Orchésographie: Orchésographie: Jouyssance vous donneray - Three French Corantos- Basse Danse 'La Roque'- Recercada segunda' came out on November 20, 1984. Since Orchésographie: Orchésographie: Jouyssance vous donneray - Three French Corantos- Basse Danse 'La Roque'- Recercada segunda is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 15 in Arbeau & Playford: Danses Populaires Françaises by The Broadside Band, Jeremy Barlow. In terms of popularity, Orchésographie: Orchésographie: Jouyssance vous donneray - Three French Corantos- Basse Danse 'La Roque'- Recercada segunda is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orchésographie: Orchésographie: Jouyssance vous donneray - Three French Corantos- Basse Danse 'La Roque'- Recercada segunda by Thoinot Arbeau, The Broadside Band, Jeremy Barlow is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bransle de Poictou | Pierre Attaingnant, Hopkinson Smith | E Major | 1 | 12B | 136 BPM | ||
Perceval la quete du Graal: La Bataille De Beaurepaire (The Battle of Belrepeire): Le depart de Beaurepaire | Sylvain Bergeron, Daniel Taylor, Claire Gignac, Viviane LeBlanc, Catherine Herrmann, Rafik Samman, Nicolas Lemieux, La Nef | G Major | 0 | 9B | 99 BPM | ||
L'Amor Donna, Ch'Io Te Porto (Anonymous) | Syntagma Musicum | B♭ Major | 1 | 6B | 119 BPM | ||
Saramella (Cromwell Is Happy) | Claire van Kampen | E Minor | 2 | 9A | 126 BPM | ||
Branle Pinagay | Thoinot Arbeau, Alban Tixier | B Major | 2 | 1B | 110 BPM | ||
Cantigas de Santa Maria, No. 60: Entre Av'e Eva | Alfonso X El Sabio, Esther Lamandier | F Major | 1 | 7B | 84 BPM | ||
Factus est repente | Gregor Aichinger, Harmonia Recorder Ensemble | C Major | 0 | 8B | 67 BPM | ||
Folias (Imperfectas) [Harp] | La Capella Reial De Catalunya, Hespèrion XXI, Andrew Lawrence-King | A Minor | 0 | 8A | 78 BPM | ||
Rubum Quem | Christopher Tye, Trinity Baroque, Alan Crumpler, Martin Pope, Julian Podger, Steven Player, The Forbury Consort, The Holbein Consort | G Minor | 1 | 6A | 86 BPM | ||
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM |
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