Ian Whitcomb, The White Star Orchestra made "In The Shadows" available on November 18, 2005. With this song being about 5 minutes long, at 5:19, "In The Shadows" by Ian Whitcomb, The White Star Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 24 in the song's album "Titanic: Music As Heard On The Fateful Voyage". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, In The Shadows's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With In The Shadows by Ian Whitcomb, The White Star Orchestra having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fisher’s Hornpipe (Arr. C. McTee & F. Slatkin for Orchestra) | Traditional, The Manhattan School of Music Symphony Orchestra, Leonard Slatkin | D Major | 4 | 10B | 74 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction. Grave, Adagio cantabile | Max Bruch, Kirill Troussov, Christian Mandeal, Lübeck Philharmonic Orchestra | E♭ Major | 1 | 5B | 94 BPM | ||
Sounds Of Theme | Ambient Bliss | A♭ Major | 4 | 4B | 115 BPM | ||
Susitaikykime Prie Stalo | Titas Petrikis | C Major | 0 | 8B | 140 BPM | ||
Verdi: Rigoletto, Act 3: "La donna è mobile" (Instrumental Version, Arr. Pryce Jackman) | Giuseppe Verdi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 80 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
In Sherwood | Frederic Curzon | G Major | 1 | 9B | 85 BPM | ||
Kiss Me Again | George Melachrino | D Minor | 3 | 7A | 76 BPM | ||
Good Old Days | Sinfonietta Cinematica | A Major | 4 | 11B | 111 BPM | ||
La bohème: Quando me'n vo' | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | A Minor | 3 | 8A | 77 BPM |
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