Mari Hamada made "Walking on the Borderline" available on October 22, 2008. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "RETURN TO MYSELF". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Japan. In terms of popularity, Walking on the Borderline is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Walking on the Borderline by Mari Hamada having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
真夜中のプレステージ - JUST BECAUSE JAYWALK ORIGINAL EDITION 2 Al Version | THE JAYWALK | B Minor | 8 | 10A | 130 BPM | ||
PRIMITIVE STAR | Der Zibet | D Major | 10 | 10B | 126 BPM | ||
孤独ヶ丘に見える夕陽 (2019 Remastered) | Maki Ohguro | A♭ Major | 8 | 4B | 172 BPM | ||
MAYBE | Fumina Hisamatsu | D♭ Major | 4 | 3B | 64 BPM | ||
Don't Forget Memory | Dream | F♯ Minor | 10 | 11A | 137 BPM | ||
胸いっぱいのこの愛を 誰より君に | 三枝夕夏 IN db | E Major | 10 | 12B | 175 BPM | ||
miracle | Noriko Sakai | A Minor | 4 | 8A | 83 BPM | ||
さよならより永遠の中で | Favorite Blue | D Minor | 8 | 7A | 120 BPM | ||
はだかの気持 | Misato Watanabe | F Major | 6 | 7B | 99 BPM | ||
Material World | Mari Hamada | G Major | 10 | 9B | 162 BPM |
Section: 0.5675899982452393
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