Kan Sano's 'My One And Only Piano' came out on April 27, 2022. The duration of My One And Only Piano is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. My One And Only Piano's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Tokyo State Of Mind". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Japan. In terms of popularity, My One And Only Piano is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With My One And Only Piano by Kan Sano having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Distance | Mime | B♭ Major | 3 | 6B | 85 BPM | ||
L&V | Kiyomaru Togo | D♭ Minor | 7 | 12A | 98 BPM | ||
ENCORE(Voice Space) | LUCKY TAPES | G Major | 5 | 9B | 136 BPM | ||
またね | THE BED ROOM TAPE, Kan Sano | D♭ Minor | 3 | 12A | 90 BPM | ||
逃飛行レコード (98bpm) | Kan Sano | F Major | 3 | 7B | 90 BPM | ||
Blue ryo - takahashi remix | Mamiko Suzuki, Ryo Takahashi | B Minor | 4 | 10A | 87 BPM | ||
Superfine Ending - instrumental | Tomita Lab. | C Major | 3 | 8B | 160 BPM | ||
太陽が昇るまで | salasa | E Major | 8 | 12B | 118 BPM | ||
あまのじゃく (feat. 関口シンゴ) | ASOBOiSM, Shingo Sekiguchi | F♯ Major | 7 | 2B | 110 BPM | ||
Ash Brown | Kan Sano | F♯ Major | 7 | 2B | 112 BPM |
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