Marian McPartland made "Prelude To A Kiss - Live At Maybeck Recital Hall, Berkeley, CA / January 20, 1991" available on January 1, 1991. With this song being about 5 minutes long, at 5:20, "Prelude To A Kiss - Live At Maybeck Recital Hall, Berkeley, CA / January 20, 1991" by Marian McPartland is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Marian McPartland's "Live At Maybeck Recital Hall" album is number 6 out of 16. On top of that, United States appears to be the country where this track was created. In terms of popularity, Prelude To A Kiss - Live At Maybeck Recital Hall, Berkeley, CA / January 20, 1991 is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Prelude To A Kiss - Live At Maybeck Recital Hall, Berkeley, CA / January 20, 1991 by Marian McPartland to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Conversation 6 | Bruce Hornsby, Marian McPartland | A♭ Major | 3 | 4B | 0 BPM | ||
Hamp's Blues | Hampton Hawes Trio | E♭ Major | 4 | 5B | 122 BPM | ||
The Party's Over | Bobby Timmons | A♭ Major | 4 | 4B | 116 BPM | ||
A Foggy Day | Bill Charlap | D Minor | 1 | 7A | 94 BPM | ||
Autumn Leaves-Barney Kessel | Various Artists | G Major | 1 | 9B | 131 BPM | ||
Yesterdays | Wes Montgomery Trio | A Minor | 1 | 8A | 149 BPM | ||
Passion Flower | Billy Strayhorn | C Major | 0 | 8B | 134 BPM | ||
Ba-Lue Bolivar Ba-Lues-Are | John Medeski, Marian McPartland | A♭ Major | 2 | 4B | 83 BPM | ||
Beat's Up | Tommy Flanagan Trio | F Minor | 6 | 4A | 106 BPM | ||
Blues for Sharpie | David Hazeltine | D Major | 3 | 10B | 74 BPM |
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