Juan María Real, Ana Real's 'Martinete: 1ª Letra' came out on 2005. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 16 in El Baile Flamenco, Vol. 16: alegrías, martinete by Juan María Real. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Martinete: 1ª Letra is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Martinete: 1ª Letra by Juan María Real, Ana Real is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Y Como Mía Te Adoro | Rengel | D Major | 5 | 10B | 76 BPM | ||
Por Mí Se Queda Rezando: Tarantos - Remastered | Jarrito, Antonio Arenas y su Grupo Flamenco | E♭ Major | 5 | 5B | 132 BPM | ||
Que Quererla No Podrá | Rengel | E♭ Minor | 1 | 2A | 59 BPM | ||
Serranas Baile Completo | Carmen Gamero, Jeromo Segura, Juan María Real, Manuel Salado | G Minor | 3 | 6A | 63 BPM | ||
Cante y Baile por Alegrías | Rita Ortega, Miguel Fernandez, M. Valencia, A. Garci | A Major | 3 | 11B | 172 BPM | ||
Soleá (Avanzado) : Llamada a la Letra por Bulerías | Juan María Real, Ana Real, Manuel Salado | E♭ Minor | 1 | 2A | 59 BPM | ||
Colombianas: 2ª Escobilla | Juan María Real, Ana Real, Manuel Salado | A Major | 5 | 11B | 153 BPM | ||
Plañideras | Gaspar De Holanda | B♭ Minor | 5 | 3A | 160 BPM | ||
Fandangos (Avanzado) : Falseta | Lalo Tejada, Juan María Real, Manuel Salado | C Minor | 4 | 5A | 150 BPM | ||
Bulerías (Avanzado) : Grupos de Pies 2ª Parte | Lalo Tejada, Juan María Real, Manuel Salado | A Minor | 2 | 8A | 129 BPM |
Section: 0.5161383152008057
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