26 Variations on "La Follia di Spagna" (1815): Variation 20
Antonio Salieri, Pietro Spada, Philharmonia Orchestra, David Nolan
Salieri: The 2 Piano Concertos etc.
0:31 January 1, 1996
BPM
97
Key
D Minor
Camelot
7A

Embed

Share Link

26 Variations on "La Follia di Spagna" (1815): Variation 20 - Antonio Salieri, Pietro Spada, Philharmonia Orchestra, David Nolan Information

Acousticness
98%
Danceability
66%
Energy
10%
Instrumentalness
87%
Liveness
50%
Loudness
73%
Speechiness
3%
Valence
66%
Popularity
Loudness
-16.237 dB

Summary

Antonio Salieri, Pietro Spada, Philharmonia Orchestra, David Nolan made "26 Variations on "La Follia di Spagna" (1815): Variation 20" available on January 1, 1996. With 26 Variations on "La Follia di Spagna" (1815): Variation 20 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 36 in the song's album "Salieri: The 2 Piano Concertos etc.". In this album, this song's track order is #29. In terms of popularity, 26 Variations on "La Follia di Spagna" (1815): Variation 20 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

26 Variations on "La Follia di Spagna" (1815): Variation 20 BPM

With 26 Variations on "La Follia di Spagna" (1815): Variation 20 by Antonio Salieri, Pietro Spada, Philharmonia Orchestra, David Nolan having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

26 Variations on "La Follia di Spagna" (1815): Variation 20 Key

D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphony for Flute, Oboe, Horn and Strings in D Major: I. Allegro con brio by Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan VogelSymphony for Flute, Oboe, Horn and Strings in D Major: I. Allegro con brioDomenico Cimarosa, Chopin Chamber Orchestra, Winston Dan VogelD Major110B89 BPM
Il ciel cortese: No. 1, Il ciel cortese by Antonio Salieri, Diana Tomsche, Esther Valentin, Heidelberg Symphony Orchestra, Timo Jouko HerrmannIl ciel cortese: No. 1, Il ciel corteseAntonio Salieri, Diana Tomsche, Esther Valentin, Heidelberg Symphony Orchestra, Timo Jouko HerrmannF Major07B89 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1062: I. - AllegroCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachC Minor45A106 BPM
Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: I. Allegro by Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques KantorowClarinet Concerto No. 1 in F Minor, Op. 73, J. 114: I. AllegroCarl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques KantorowF Minor14A75 BPM
Symphony in D Major, Op. 3, No. 2: I. Presto by Johann Stamitz, New Zealand Chamber Orchestra, Donald ArmstrongSymphony in D Major, Op. 3, No. 2: I. PrestoJohann Stamitz, New Zealand Chamber Orchestra, Donald ArmstrongA Major111B83 BPM
Symphony No. 5 in B-Flat Major, D. 485: 2. Andante con moto by Franz Schubert, Wiener Philharmoniker, Claudio AbbadoSymphony No. 5 in B-Flat Major, D. 485: 2. Andante con motoFranz Schubert, Wiener Philharmoniker, Claudio AbbadoB Major21B88 BPM
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace by Antonín Dvořák, Prague Chamber Orchestra, Petr SkvorSerenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. VivaceAntonín Dvořák, Prague Chamber Orchestra, Petr SkvorF Major27B130 BPM
Symphony No. 7 in A major, Op. 92: III. Presto by Nicolaus Esterhazy SinfoniaSymphony No. 7 in A major, Op. 92: III. PrestoNicolaus Esterhazy SinfoniaD Major110B93 BPM
Soirees musicales, Op. 9: I. March by Benjamin Britten, Helsingborg Symphony Orchestra, Okko KamuSoirees musicales, Op. 9: I. MarchBenjamin Britten, Helsingborg Symphony Orchestra, Okko KamuB♭ Major16B124 BPM
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Overture (Die Zauberharfe, D.644) by Franz Schubert, Gewandhausorchester, Kurt MasurRosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Overture (Die Zauberharfe, D.644)Franz Schubert, Gewandhausorchester, Kurt MasurG Major09B85 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5399255752563477

End: 0.5447835922241211