Johann Sebastian Bach, Wilhelm Kempff, Idil Biret made "Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (trans. W. Kempff)" available on May 20, 1992. The duration of Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (trans. W. Kempff) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (trans. W. Kempff)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wilhelm Kempff, Idil Biret's "Kempff: Italian Suite / Piano Sonata / Transcriptions" album is number 3 out of 20. Based on our statistics, Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (trans. W. Kempff)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (trans. W. Kempff) by Johann Sebastian Bach, Wilhelm Kempff, Idil Biret to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM | ||
Overture (Suite) in B-Flat Major, TWV 55:B2: Aria IV: Sarabande | Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider | A Major | 1 | 11B | 98 BPM | ||
Goldberg Variations, BWV 988: Aria da capo | Johann Sebastian Bach, Glenn Gould | G Major | 0 | 9B | 128 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged by Wilhelm Kempff: Ronde des esprits bienheureux | Christoph Willibald Gluck, Wilhelm Kempff | F Major | 0 | 7B | 73 BPM | ||
Violin Concerto in D Major, Op. 35, TH. 59: II. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Hilary Hahn, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | D Minor | 2 | 7A | 148 BPM | ||
Concerto for violin and oboe in C Minor, BWV 1060R: III. Allegro | Johann Sebastian Bach, Isabelle Faust, Xenia Löffler, Akademie für Alte Musik Berlin, Bernhard Forck | B Minor | 4 | 10A | 120 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 75 BPM | ||
Concerto in B-flat Major for Cello, Strings and Basso continuo, RV 423: I. Allegro | Antonio Vivaldi, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | A Major | 2 | 11B | 114 BPM | ||
Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto - Transcr. for organ by Jörg Halubek | Johann Sebastian Bach, Jörg Halubek, Il Gusto Barocco | F♯ Minor | 2 | 11A | 102 BPM |
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