Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Samuel Ramey, Wiener Philharmoniker, William Shimell made "Don Giovanni, K. 527, Act II Scene 5: L'ultima prova dell'amor mio (Donna Elvira, Don Giovanni, Leporello)" available on October 11, 1991. The duration of Don Giovanni, K. 527, Act II Scene 5: L'ultima prova dell'amor mio (Donna Elvira, Don Giovanni, Leporello) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Don Giovanni, K. 527, Act II Scene 5: L'ultima prova dell'amor mio (Donna Elvira, Don Giovanni, Leporello)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 65 out of 70 in Don Giovanni by Wolfgang Amadeus Mozart, Wiener Philharmoniker, Riccardo Muti. In terms of popularity, Don Giovanni, K. 527, Act II Scene 5: L'ultima prova dell'amor mio (Donna Elvira, Don Giovanni, Leporello) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Don Giovanni, K. 527, Act II Scene 5: L'ultima prova dell'amor mio (Donna Elvira, Don Giovanni, Leporello) by Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Samuel Ramey, Wiener Philharmoniker, William Shimell is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Ascanio in Alba, K. 111: Overture | Wolfgang Amadeus Mozart, Raphaël Boulay, Michael Chance, Jill Feldman, Rosa Mannion, Howard Milner, Lorna Windsor, Paris Sorbonne University Choir, Concerto Armonico, Jacques Grimbert | A♭ Major | 1 | 4B | 150 BPM | ||
Nocturne No.11 In G Minor, Op.37 No.1 | Frédéric Chopin, Maurizio Pollini | B♭ Major | 0 | 6B | 75 BPM | ||
Divertimento in D Major, K. 136, "Salzburg Symphony No. 1": I. Allegro | Wolfgang Amadeus Mozart, Munich Radio Orchestra, Ulf Schirmer | D Major | 2 | 10B | 137 BPM | ||
Oboe Concerto in C Major, K. 314: I. Allegro aperto | Wolfgang Amadeus Mozart, Olivier Stankiewicz, Jaime Martin, London Symphony Orchestra | C Major | 1 | 8B | 120 BPM | ||
Violin Sonata in C Major, K. 296: III. Rondeau. Allegro | Wolfgang Amadeus Mozart, Renaud Capuçon, Kit Armstrong | C Major | 2 | 8B | 94 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Piano Sonata No. 14 In C Minor, K. 457: III. Allegro Assai | Jenő Jandó, Wolfgang Amadeus Mozart | C Minor | 1 | 5A | 78 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM |
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