Wolfgang Amadeus Mozart, Scottish Chamber Orchestra, Sir Charles Mackerras made "Le nozze di Figaro, K. 492: Overture" available on May 23, 1995. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Sir Charles Mackerras, Scottish Chamber Orchestra, Scottish Chamber Orchestra Chorus, Alastair Miles, Nuccia Focile, Alessandro Corbelli, Carol Vaness, Susanne Mentzer, Rebecca Evans, Alfonso Antoniozzi's "Mozart: Le nozze di Figaro, K. 492" album is number 1 out of 88. On top of that, United States appears to be the country where this track was created. Based on our statistics, Le nozze di Figaro, K. 492: Overture's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Le nozze di Figaro, K. 492: Overture by Wolfgang Amadeus Mozart, Scottish Chamber Orchestra, Sir Charles Mackerras to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The 4 Seasons: Violin Concerto in F minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): II. Largo | Karoly Botvay | B♭ Major | 0 | 6B | 68 BPM | ||
Requiem in D minor, K.626: 1. Introitus: Requiem | Wolfgang Amadeus Mozart, Barbara Bonney, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Minor | 1 | 7A | 90 BPM | ||
Fruhlingsstimmen (Voices Of Spring), Op. 410 | Strauss Festival Orchestra, Johann Strauss II | B♭ Major | 1 | 6B | 99 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
William Tell Overture | Gioachino Rossini, Arthur Fiedler, Boston Pops Orchestra | E Major | 6 | 12B | 169 BPM | ||
MOZART: SYMPHONY NO. 40 IN G MINOR, K.550: I. MOLTO ALLEGRO | Jeffrey Tate | G Minor | 2 | 6A | 105 BPM | ||
Le nozze di Figaro, K. 492, Act III: Recitativo. Via, fatti core | Wolfgang Amadeus Mozart, Scottish Chamber Orchestra, Sir Charles Mackerras, Carol Vaness, Nuccia Focile, Alessandro Corbelli | A♭ Major | 1 | 4B | 83 BPM | ||
The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
Die Walkure, Act III: Ride of the Valkyries | Richard Wagner, Budapest Symphony Orchestra, György Lehel | G Major | 2 | 9B | 90 BPM |
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