The Liturgy of Orpheus: XVII. The Fates
Yannis Markopoulos, José van Dam, Elena Kelessidi, Philip Sheffield, Flanders Opera Chorus, Arielle Valibouse, Marc Grauwels, Flanders Opera Symphony Orchestra, Edwig Abrath
Markopoulos, Y.: Liturgy of Orpheus (The)
3:38 January 27, 2009
BPM
75
Key
E Minor
Camelot
9A

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The Liturgy of Orpheus: XVII. The Fates - Yannis Markopoulos, José van Dam, Elena Kelessidi, Philip Sheffield, Flanders Opera Chorus, Arielle Valibouse, Marc Grauwels, Flanders Opera Symphony Orchestra, Edwig Abrath Information

Acousticness
99%
Danceability
24%
Energy
14%
Instrumentalness
2%
Liveness
18%
Loudness
71%
Speechiness
5%
Valence
9%
Popularity
Loudness
-17.201 dB

Summary

"The Liturgy of Orpheus: XVII. The Fates" by Yannis Markopoulos, José van Dam, Elena Kelessidi, Philip Sheffield, Flanders Opera Chorus, Arielle Valibouse, Marc Grauwels, Flanders Opera Symphony Orchestra, Edwig Abrath was released on January 27, 2009. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Yannis Markopoulos, José van Dam, Edwig Abrath's "Markopoulos, Y.: Liturgy of Orpheus (The)" album is number 17 out of 19. On top of that, Hong Kong appears to be the country where this track was created. The Liturgy of Orpheus: XVII. The Fates is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Liturgy of Orpheus: XVII. The Fates BPM

We consider the tempo marking of The Liturgy of Orpheus: XVII. The Fates by Yannis Markopoulos, José van Dam, Elena Kelessidi, Philip Sheffield, Flanders Opera Chorus, Arielle Valibouse, Marc Grauwels, Flanders Opera Symphony Orchestra, Edwig Abrath to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

The Liturgy of Orpheus: XVII. The Fates Key

The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

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ISRC
HKI190874717
Label
L-M Records/RCA Records

Section: 0.5519716739654541

End: 0.555793046951294