- BPM
- 96
- Key
- C Minor
- Camelot
- 5A
Bachianas brasileiras No. 3: III. Aria: Modinha - Heitor Villa-Lobos, Jose Feghali, Nashville Symphony Orchestra, Kenneth Schermerhorn Information
- Acousticness
- 97%
- Danceability
- 28%
- Energy
- 8%
- Instrumentalness
- 92%
- Liveness
- 12%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 17%
- Loudness
- -20.475 dB
Summary
"Bachianas brasileiras No. 3: III. Aria: Modinha" by Heitor Villa-Lobos, Jose Feghali, Nashville Symphony Orchestra, Kenneth Schermerhorn had its release date on November 15, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Villa-Lobos: Bachianas Brasileiras (Complete) by Heitor Villa-Lobos, Andrew Mogrelia, Kenneth Schermerhorn. The song's track number on the album is #10 out of 29 tracks. In terms of popularity, Bachianas brasileiras No. 3: III. Aria: Modinha is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Bachianas brasileiras No. 3: III. Aria: Modinha BPM
Since Bachianas brasileiras No. 3: III. Aria: Modinha by Heitor Villa-Lobos, Jose Feghali, Nashville Symphony Orchestra, Kenneth Schermerhorn has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Bachianas brasileiras No. 3: III. Aria: Modinha being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
Bachianas brasileiras No. 3: III. Aria: Modinha Key
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bagatelle, Op. 30 | Anatoly Lyadov, Yoko Kikuchi | D♭ Major | 1 | 3B | 67 BPM | |
 | Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": II. Andante con moto | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 70 BPM | |
 | 24 Préludes, Op. 28: 3. In G Major | Frédéric Chopin, Maurizio Pollini | D Minor | 2 | 7A | 124 BPM | |
 | Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | |
 | 2 Rondinos for Piano, Op. 68: Rondino II | Jean Sibelius, Leif Ove Andsnes | D♭ Minor | 1 | 12A | 138 BPM | |
 | Carnaval, Op. 9: 3. Arlequin | Robert Schumann, Arthur Rubinstein | B♭ Major | 1 | 6B | 110 BPM | |
 | Bachianas brasileiras No. 5: I. Aria: Cantilena | Heitor Villa-Lobos, Rosana Lamosa, Nashville Symphony Orchestra Cellos, Kenneth Schermerhorn | F Major | 1 | 7B | 85 BPM | |
 | Shostakovich: String Quartet No. 2 in A Major, Op. 68: I. Overture - Moderato con moto | Dmitri Shostakovich, Borodin Quartet | D Minor | 1 | 7A | 147 BPM | |
 | Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Sir Colin Davis | E Major | 1 | 12B | 78 BPM | |
 | Violin Sonata in G Minor, Op. 137 No. 3, D. 408: IV. Allegro moderato | Franz Schubert, Hyejin Chung, Warren Lee | B♭ Major | 1 | 6B | 108 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records