Antonín Dvořák, Pavel Haas Quartet, Boris Giltburg's 'Piano Quintet No. 2, Op. 81, B. 155: III. Scherzo - Furiant. Molto vivace' came out on October 20, 2017. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 8 in Dvořák: Quintets, Op. 81 & 97 by Antonín Dvořák, Boris Giltburg, Pavel Nikl, Pavel Haas Quartet. In terms of popularity, Piano Quintet No. 2, Op. 81, B. 155: III. Scherzo - Furiant. Molto vivace is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Quintet No. 2, Op. 81, B. 155: III. Scherzo - Furiant. Molto vivace by Antonín Dvořák, Pavel Haas Quartet, Boris Giltburg is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Moments musicaux, Op. 16: No. 1, Andantino | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Nocturne No. 4 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 69 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
Capriccio in B Minor, Op. 76, No. 2 | Johannes Brahms, Arcadi Volodos | B Major | 1 | 1B | 84 BPM | ||
Piano Quartet No. 1 in G Minor, Op. 25: IV. Rondo alla Zingarese | Johannes Brahms, Martha Argerich, Gidon Kremer, Yuri Bashmet, Mischa Maisky | G Major | 1 | 9B | 88 BPM | ||
Tchaikovsky: Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VII & Coda (Allegro vivo) | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | F♯ Minor | 0 | 11A | 78 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: IV. Vivace | Bedřich Smetana, Pavel Haas Quartet | E Major | 3 | 12B | 125 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged by Wilhelm Kempff: Ronde des esprits bienheureux | Christoph Willibald Gluck, Wilhelm Kempff | F Major | 0 | 7B | 73 BPM | ||
Grieg: Violin Sonata No. 3 in C Minor, Op. 45: II. Allegretto espressivo alla Romanza | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | E Major | 1 | 12B | 79 BPM | ||
6 Etudes de concert, Op. 35: II. Automne | Cécile Chaminade, Mark Viner | D♭ Major | 0 | 3B | 79 BPM |
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