Guillaume Chastillon de La Tour, Arianna Savall, La Fenice, Jean Tubéry's 'Following The Rhône... : Justes, chacun se présente' came out on 2008. With Following The Rhône... : Justes, chacun se présente being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Un camino de Santiago". In this album, this song's track order is #3. In terms of popularity, Following The Rhône... : Justes, chacun se présente is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Following The Rhône... : Justes, chacun se présente by Guillaume Chastillon de La Tour, Arianna Savall, La Fenice, Jean Tubéry having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Diferencias sobre la Gallarda Milanesa (arr. for instrumental ensemble) | Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer | E Major | 1 | 12B | 130 BPM | ||
Allemande 4 - 1557 | Claude Gervaise, Ensemble Doulce Mémoire | G Minor | 2 | 6A | 117 BPM | ||
Airs de cour à quatre & cinq parties, Livre II: Tant et tant il m'ennuye tant | Pierre Guédron, Le Poème Harmonique, Vincent Dumestre | G Major | 2 | 9B | 99 BPM | ||
Rogero | John Johnson, Shirley Rumsey, Christopher Wilson | G Major | 1 | 9B | 109 BPM | ||
Farnabys Humour | Giles Farnaby, Harmonia Recorder Ensemble | G Major | 0 | 9B | 68 BPM | ||
Suite in G Major: III. Courante | Robert de Visée, Yasunori Imamura | D♭ Major | 0 | 3B | 86 BPM | ||
The Little Consort, Suite No. 7 in G Minor and G Major: II. Ayre | Matthew Locke, Phantasm, Elizabeth Kenny | F♯ Major | 1 | 2B | 176 BPM | ||
Tenebrae Responsories - Matins Responsories for good Friday: Nocturn III - Caligaverunt oculi mei a fletu meo | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
All'imperio d'Amore: 4. O che felice giorno a voce sola | Giulio Caccini, Ensemble Pygmalion, Sophie Junker, Raphael Pichon | B♭ Major | 1 | 6B | 99 BPM | ||
Gloriar mi poss io donne | Philippe Verdelot, Profeti Della Quinta | D♭ Minor | 1 | 12A | 101 BPM |
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