"Tierkreis, Work No. 41 1/2: No. 10. Scorpio" by Karlheinz Stockhausen, Peter Söderberg, Sven Aberg was released on May 1, 2011. With Tierkreis, Work No. 41 1/2: No. 10. Scorpio being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "The Contemporary Lute". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, Tierkreis, Work No. 41 1/2: No. 10. Scorpio is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tierkreis, Work No. 41 1/2: No. 10. Scorpio by Karlheinz Stockhausen, Peter Söderberg, Sven Aberg having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deep Hockets | Stuart Dempster, Pauline Oliveros, David Gamper, Deep Listening Band | D Minor | 1 | 7A | 89 BPM | ||
The Perilous Night: No. 1. — | John Cage, Boris Berman | B♭ Major | 0 | 6B | 77 BPM | ||
Bending the bars | Upside Down Upright Bass | A Minor | 0 | 8A | 130 BPM | ||
Science Fiction | Ernst Reijseger | F Major | 0 | 7B | 131 BPM | ||
1390 Gower Conf. II. 20 I Can Noght Thanne Unethes Spelle That I Wende Altherbest Have Rad. | Akira Rabelais | B Minor | 0 | 10A | 70 BPM | ||
Dance in the Moon | Friedrich Wilckens, Lydia Kavina, Joshua Pierce | F Minor | 0 | 4A | 97 BPM | ||
Tartar Sauce | Hans Zimmer | B♭ Minor | 5 | 3A | 121 BPM | ||
Drumming:, Pt. III | Steve Reich | B♭ Major | 2 | 6B | 140 BPM | ||
Sonic Contours | Vladimir Ussachevsky | C Major | 0 | 8B | 106 BPM | ||
The Cosmos Unknown | Peter Ross PinkSmit | A Minor | 0 | 8A | 96 BPM |
Section: 0.42251110076904297
End: 0.4257628917694092