"Amarilla, mia bella" by Giulio Caccini, Ramón Vargas was released on October 7, 2002. The duration of Amarilla, mia bella is about 3 minutes long, at 3:25. Based on our data, "Amarilla, mia bella" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 16 in Arie Antiche by Ramón Vargas. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Amarilla, mia bella is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Amarilla, mia bella by Giulio Caccini, Ramón Vargas is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria | Giulio Caccini, Spero Bongiolatti | G Minor | 0 | 6A | 69 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
La traviata: Act II: Amami, Alfredo! (Violetta, Alfredo) | Giuseppe Verdi, Orquestra Sinfónica do Teatro Nacional de São Carlos Lisboa, Maria Callas, Alfredo Kraus, Franco Ghione | F Major | 6 | 7B | 90 BPM | ||
Pagliacci / Act 1: "Recitar!" - "Vesti la giubba" | Ruggero Leoncavallo, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 83 BPM | ||
La Traviata / Act 2: "Di Provenza il mar, il suol" | Giuseppe Verdi, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 1 | 3B | 114 BPM | ||
La traviata, Act I: Libiamo ne lieti calici | Giuseppe Verdi, Marta Torbidoni, Michail Michailov, Anton Keremidtchiev, Elisabetta Lombardi, Emilia Kircheva, Alexander Baranov, Orfey Petrov, Nikola Ivanov, Peter Petrov, Sofia Philharmonic Orchestra, Ljubka Biagioni | B♭ Major | 1 | 6B | 75 BPM | ||
La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
Ave Maria, No. 7, Op. 13 | Sabrina Cortese & Michele Biki Panitti | G Major | 1 | 9B | 87 BPM | ||
Il barbiere di Siviglia (The Barber of Seville), Act I: Cavatina: Una voce poco fa | Gioachino Rossini, Maria Callas, RAI Symphony Orchestra, Rome, Tullio Serafin | E Major | 1 | 12B | 100 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1, No. 5: Una voce poco fa | Gioachino Rossini, Jesús López-Cobos, Orchestre de Chambre de Lausanne | E Major | 1 | 12B | 68 BPM |
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