"Ariettes oubliées, L. 60: V. Aquarelles I. Green" by Claude Debussy, Gérard Souzay, Dalton Baldwin was released on January 1, 2002. The duration of Ariettes oubliées, L. 60: V. Aquarelles I. Green is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Ariettes oubliées, L. 60: V. Aquarelles I. Green's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 22 in Debussy: Mélodies by Claude Debussy, Gérard Souzay, Dalton Baldwin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Ariettes oubliées, L. 60: V. Aquarelles I. Green is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ariettes oubliées, L. 60: V. Aquarelles I. Green by Claude Debussy, Gérard Souzay, Dalton Baldwin is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Préludes: No. 2. Très calme | Jean Roger-Ducasse, Joel Hastings | B Major | 0 | 1B | 132 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
Andantino JS 201 | Jean Sibelius, Janne Mertanen | D♭ Minor | 0 | 12A | 66 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
Deux arabesques: Deux arabesques: I. Andantino con moto | Claude Debussy, Alain Planès | F♯ Minor | 1 | 11A | 72 BPM | ||
Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 0 | 10A | 71 BPM | ||
2 Bagatelles, Op. 173: No. 2. Andantino | Valentin Silvestrov, Elisaveta Blumina | C Major | 0 | 8B | 70 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM |
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