Philip Glass, Kronos Quartet's 'String Quartet No. 3 (Mishima): November 25-Ichigaya' came out on February 3, 1995. With String Quartet No. 3 (Mishima): November 25-Ichigaya being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Odio París, Garbage, Philip Glass, Kronos Quartet's "Kronos Quartet Performs Philip Glass" album is number 14 out of 18. On top of that, United States appears to be the country where this track was created. String Quartet No. 3 (Mishima): November 25-Ichigaya is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet No. 3 (Mishima): November 25-Ichigaya by Philip Glass, Kronos Quartet to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Things Left Unsaid | Caleb Burhans, Tarab Cello Ensemble | A Minor | 0 | 8A | 80 BPM | ||
Concerto for Saxophone - Quartet: Movevement III | Philip Glass, The Raschèr Saxophone Quartet, Andrew Sterman, Jon Gibson, Richard Peck | F Major | 1 | 7B | 72 BPM | ||
24 Preludes for Violin and Piano, Op. 46: No. 8 Andante | Lera Auerbach, Daniel Hope, Jacques Ammon | D Major | 0 | 10B | 82 BPM | ||
The Dreams and Prayers of Isaac the Blind - I. Agitato-Con Fuoco-Maestoso-Senza Misura, Oscilante | Osvaldo Golijov, Kronos Quartet | F Minor | 3 | 4A | 67 BPM | ||
Lento | Aleksey Igudesman, Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey, Rundfunkchor Berlin | A Minor | 1 | 8A | 87 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
The Dreams and Prayers of Isaac the Blind:Postlude: Lento. Liberamente | Osvaldo Golijov, Kronos Quartet | D Minor | 0 | 7A | 136 BPM | ||
Erdélyi tánc | Béla Bartók, Angela Chun, Jennifer Chun | B Minor | 0 | 10A | 78 BPM | ||
Six Melodies - performed on Violin and Harp: No.1 Rubato | John Cage, Gidon Kremer, Naoko Yoshino | D Minor | 0 | 7A | 113 BPM | ||
Nisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM |
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